1
00:00:02,969 --> 00:00:06,139
[techno-pop music]

2
00:00:06,172 --> 00:00:14,681
* *

3
00:00:14,714 --> 00:00:16,516
<i>(male TV announcer)</i>
<i>AND TURNING OUR ATTENTION</i>

4
00:00:16,549 --> 00:00:17,617
<i>TO WOMEN AT THE TOP</i>
<i>OF THEIR FIELD,</i>

5
00:00:17,650 --> 00:00:19,619
WALL STREET <i>MAGAZINE'S LIST</i>
<i>OF NEW YORK'S</i>

6
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<i>50 MOST POWERFUL WOMEN</i>
<i>CAME OUT TODAY.</i>

7
00:00:22,455 --> 00:00:24,691
WENDY HEALY, THE PRESIDENT
OF PARADOR PICTURES,

8
00:00:24,724 --> 00:00:26,426
IS NUMBER 12 ON THE LIST.

9
00:00:26,459 --> 00:00:29,529
AND MOVING FROM 25
ON LAST YEAR'S LIST

10
00:00:29,562 --> 00:00:33,099
IS NICO REILLY, THE EDITOR
IN CHIEF OF <i>BONFIRE MAGAZINE.</i>

11
00:00:33,133 --> 00:00:34,567
AT THE BOTTOM OF THE LIST

12
00:00:34,601 --> 00:00:36,169
IS FASHION DESIGNER
VICTORY FORD,

13
00:00:36,202 --> 00:00:37,470
WHO BARELY MADE THE CUT

14
00:00:37,504 --> 00:00:39,706
AFTER STUMBLING
AT LAST YEAR'S FASHION WEEK.

15
00:00:39,739 --> 00:00:43,143
FORD, ONCE DUBBED BY <i>VOGUE</i>
AS "THE GOLDEN CHILD,"

16
00:00:43,176 --> 00:00:45,145
HOPES TO RESTORE
HER GLORY TONIGHT

17
00:00:45,178 --> 00:00:47,180
AS SHE UNVEILS
HER LATEST COLLECTION

18
00:00:47,213 --> 00:00:49,115
IN BRYANT PARK.

19
00:00:49,149 --> 00:00:50,150
[crowds chattering]

20
00:00:50,183 --> 00:00:51,584
WAIT, HONEY, I'M HERE.

21
00:00:51,618 --> 00:00:55,155
OKAY. GREAT. YEAH.

22
00:00:55,188 --> 00:00:56,122
HI, BEAUTIFUL.

23
00:00:56,156 --> 00:00:57,323
HI.

24
00:00:57,357 --> 00:00:58,458
OH.
YOU LOOK GREAT.

25
00:00:58,491 --> 00:00:59,592
THANK YOU,
YOU DO TOO.

26
00:00:59,626 --> 00:01:00,460
I HAD TO WALK
FROM 50TH.

27
00:01:00,493 --> 00:01:02,562
PLEASE MAKE SURE
THIS STAYS TUCKED UNDER.

28
00:01:02,595 --> 00:01:03,730
I HOPE
SHE GOT HER PRESENT.

29
00:01:03,763 --> 00:01:05,231
I WANTED HER
TO GET IT BEFORE.

30
00:01:05,265 --> 00:01:06,466
DO YOU THINK
SHE GOT IT BEFORE?

31
00:01:06,499 --> 00:01:09,135
RELAX. I SAID BEFORE.
SHE'LL GET IT BEFORE.

32
00:01:09,169 --> 00:01:12,439
OH. GREAT.

33
00:01:12,472 --> 00:01:20,480
* *

34
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[laughs]

35
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[techno music]

36
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* *

37
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<i>(woman)</i>
<i>AND THAT ONE.</i>

38
00:02:01,254 --> 00:02:02,389
AND THAT ONE,
UH-HUH.

39
00:02:02,422 --> 00:02:06,426
* *

40
00:02:06,459 --> 00:02:11,164
[cheers and applause]

41
00:02:40,427 --> 00:02:43,697
"OUT WITH THE OLD,
IN THE EW"?

42
00:02:43,730 --> 00:02:45,999
I MEAN, THAT'S JUST MEAN.

43
00:02:46,032 --> 00:02:48,301
THIS BUSINESS IS MEAN.

44
00:02:48,335 --> 00:02:50,770
I NEED A CUPCAKE.

45
00:02:50,804 --> 00:02:51,805
OKAY, HONEY,

46
00:02:51,838 --> 00:02:54,407
SO A FEW CRITICS DIDN'T LIKE
THIS PARTICULAR SHOW.

47
00:02:54,441 --> 00:02:55,675
SO WHAT?

48
00:02:55,709 --> 00:02:58,345
IT'S THE CLOTHES
THEY'RE REJECTING, NOT YOU.

49
00:02:58,378 --> 00:02:59,746
HER CLOTHES ARE HER.

50
00:03:02,449 --> 00:03:03,717
<i>MM.</i>

51
00:03:03,750 --> 00:03:05,485
HERE.

52
00:03:05,518 --> 00:03:07,587
YOU TWO SHOULD HAVE THIS

53
00:03:07,620 --> 00:03:09,789
BECAUSE YOU STILL OWN
THE WORLD.

54
00:03:09,823 --> 00:03:14,294
ALL I OWN IS A BUSTED CAREER
AND 200 PAIR OF SHOES.

55
00:03:14,327 --> 00:03:15,829
[soft laughter]

56
00:03:15,862 --> 00:03:18,431
SWEETHEART, LOOK,

57
00:03:18,465 --> 00:03:20,633
WHY DON'T YOU JUST LAY LOW
FOR AWHILE

58
00:03:20,667 --> 00:03:22,736
UNTIL THIS ALL BLOWS OVER,
ALL RIGHT?

59
00:03:22,769 --> 00:03:24,371
YOU CAN USE THE HOUSE
IN MONTAUK.

60
00:03:24,404 --> 00:03:25,505
THE FREEZER IN THE GARAGE

61
00:03:25,538 --> 00:03:27,574
IS STOCKED WITH DOVE BARS
AND WEED.

62
00:03:27,607 --> 00:03:29,876
NO, DO NOT LISTEN
TO WENDY.

63
00:03:29,909 --> 00:03:30,643
YOU CAN'T HIDE.

64
00:03:30,677 --> 00:03:32,645
A TRUE PLAYER
RESPONDS TO DISASTER

65
00:03:32,679 --> 00:03:34,347
AS IF NOTHING'S HAPPENED.

66
00:03:34,381 --> 00:03:36,750
WHEN THEY SMELL FEAR
IN THIS TOWN, IT'S OVER.

67
00:03:36,783 --> 00:03:38,685
OH, COME ON, WE ALL
HAVE THOSE DARK MOMENTS

68
00:03:38,718 --> 00:03:39,853
IN THE MIDDLE
OF THE NIGHT.

69
00:03:39,886 --> 00:03:40,720
I DON'T.

70
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SHE SAID, NOT HELPING
THE SITUATION.

71
00:03:43,089 --> 00:03:44,491
WELL, I DON'T.

72
00:03:44,524 --> 00:03:46,493
AND I FIND IT OFFENSIVE
THAT WOMEN ALWAYS FEEL

73
00:03:46,526 --> 00:03:49,329
THAT WE HAVE TO APOLOGIZE
FOR OUR SUCCESS.

74
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THERE ARE NO FLUKES.

75
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THERE IS NO LUCK.

76
00:03:51,364 --> 00:03:53,767
THERE'S JUST TALENT
AND HARD WORK

77
00:03:53,800 --> 00:03:55,702
AND THE ABILITY TO BOUNCE BACK
WHEN YOU'RE KNOCKED DOWN.

78
00:03:55,735 --> 00:03:57,737
NO MORE, NO LESS.

79
00:03:57,771 --> 00:03:59,706
AND I ALWAYS THOUGHT
SHE SCREWED HER WAY TO THE TOP.

80
00:03:59,739 --> 00:04:01,508
YEAH, THAT'S DEFINITELY
THE STORY AS I HEARD IT.

81
00:04:01,541 --> 00:04:04,577
[laughter]

82
00:04:04,611 --> 00:04:05,912
COME ON.

83
00:04:05,945 --> 00:04:07,847
<i>OH, YOU'RE PRETTY</i>
<i>WHEN YOU CRY.</i>

84
00:04:07,881 --> 00:04:11,317
<i>I AM NOT.</i>
<i>WHERE'S YOUR GLASS?</i> <i>GIVE ME YOUR GLASS.</i>

85
00:04:21,895 --> 00:04:24,898
{\an8}[cell phone ringing]

86
00:04:32,005 --> 00:04:32,872
{\an8}HELLO.

87
00:04:32,906 --> 00:04:34,808
{\an8}DID YOU KNOW DREAMWORKS
ARE ALSO PLANNING

88
00:04:34,841 --> 00:04:36,576
{\an8}A <i>GALILEO</i>PROJECT?

89
00:04:36,609 --> 00:04:38,545
{\an8}HECTOR, WHERE ARE YOU?

90
00:04:38,578 --> 00:04:39,646
{\an8}<i>LONDON.</i>

91
00:04:39,679 --> 00:04:42,615
{\an8}(Shane)
DOES HE HAVE ANY IDEA WHAT TIME IT IS?

92
00:04:42,649 --> 00:04:45,485
{\an8}UM, YEAH. I'M JUST, UH,
I'M JUST CHECKING MY NOTES.

93
00:04:45,518 --> 00:04:47,487
{\an8}I KNOW THAT THERE WAS TALK
OF POSSIBLY PUTTING

94
00:04:47,520 --> 00:04:48,655
{\an8}<i>AN OLDER SCRIPT</i>
<i>INTO DEVELOPMENT</i>

95
00:04:48,688 --> 00:04:50,757
{\an8}IF THEY CAN ATTACH
THE RIGHT ACTOR.

96
00:04:50,790 --> 00:04:52,892
{\an8}THEY HAVE.
LEONARDO DICAPRIO.

97
00:04:52,926 --> 00:04:54,594
{\an8}I THOUGHT HE WAS OURS.

98
00:04:54,627 --> 00:04:56,830
{\an8}WE ARE STILL IN NEGOTIATION,
BUT WE ARE VERY CLOSE.

99
00:04:56,863 --> 00:04:59,766
{\an8}LOOK, I AM SURE THAT THIS
DREAMWORKS THING IS A RUMOR.

100
00:04:59,799 --> 00:05:00,834
{\an8}[Taylor yells]
TAYLOR, YOU OKAY?

101
00:05:00,867 --> 00:05:01,735
{\an8}I WILL CALL
BUSINESS AFFAIRS

102
00:05:01,768 --> 00:05:03,703
{\an8}AND I WILL HAVE HIM CLOSE
THE DEAL...

103
00:05:03,737 --> 00:05:05,105
{\an8}I STEPPED IN GRADY'S
THROW UP, MOMMY. LOOK.

104
00:05:05,138 --> 00:05:07,474
{\an8}(Shane)
EW. HORRIBLE.

105
00:05:07,507 --> 00:05:09,576
{\an8}<i>(Hector)</i>
<i>I DOUBT THERE'S AN AUDIENCE FOR</i> <i>TWO</i>GALILEOS.

106
00:05:09,609 --> 00:05:11,845
{\an8}<i>I'M NOT CONVINCED</i>
<i>THERE'S AN AUDIENCE FOR ONE.</i>

107
00:05:11,878 --> 00:05:13,513
{\an8}I AM SURE THAT IF OURS
GET RELEASED...

108
00:05:13,546 --> 00:05:14,581
{\an8}<i>(Taylor)</i>
<i>IS GRADY REALLY SICK?</i>

109
00:05:14,614 --> 00:05:15,715
{\an8}<i>(Shane)</i>
<i>NO.</i>

110
00:05:15,749 --> 00:05:18,585
{\an8}THEN WHY IS HE BARFING
ON YOUR PILLOW?

111
00:05:18,618 --> 00:05:19,452
{\an8}[cat coughing up hairball]

112
00:05:19,486 --> 00:05:21,621
{\an8}THERE IS NO NEED
TO WORRY ABOUT IT, OKAY?

113
00:05:21,654 --> 00:05:23,490
{\an8}HONESTLY,
WE'VE GOT LEO.

114
00:05:23,523 --> 00:05:24,290
{\an8}YOU CAN'T DO THAT.

115
00:05:24,324 --> 00:05:25,725
{\an8}<i>(Hector)</i>
<i>I'M NOT WORRIED, WENDY.</i>

116
00:05:25,759 --> 00:05:27,494
{\an8}I HIRED YOU FOR THAT.

117
00:05:28,561 --> 00:05:29,662
{\an8}WHAT IS GOING ON?

118
00:05:29,696 --> 00:05:32,966
GRADY RAN UNDER THE BED
SO HE COULD DIE.

119
00:05:32,999 --> 00:05:34,601
<i>(Shane)</i>
<i>HE'S NOT GONNA DIE.</i> <i>COME ON.</i>

120
00:05:34,634 --> 00:05:36,636
WHO DIED?
NOBODY, HONEY. GO BRUSH YOUR TEETH.

121
00:05:36,670 --> 00:05:39,005
I JUST DID.
JEEZ, CAN'T YOU TELL?

122
00:05:39,039 --> 00:05:40,807
I NEED TREATS.

123
00:05:40,840 --> 00:05:41,908
OH, I'LL GET THEM.

124
00:05:41,941 --> 00:05:43,610
SWEETHEART, WHY DON'T YOU GO
BACK TO BED?

125
00:05:43,643 --> 00:05:45,578
<i>IT IS VERY EARLY.</i>

126
00:05:45,612 --> 00:05:47,013
NOT FOR HECTOR MATRICK.

127
00:05:47,047 --> 00:05:48,815
<i>(Wendy)</i>
<i>HE'S IN LONDON, HONEY.</i>

128
00:05:48,848 --> 00:05:49,949
YEAH, AND HE OWNS BIG BEN.

129
00:05:49,983 --> 00:05:51,518
HE SHOULD BE ABLE
TO TELL THE TIME.

130
00:05:51,551 --> 00:05:52,886
CAN I WATCH <i>UNDERDOG?</i>

131
00:05:52,919 --> 00:05:56,022
NO, SWEETHEART,
IT'S TOO EARLY.

132
00:05:56,056 --> 00:05:58,858
MADDIE, GO WASH UP.
AGAIN.

133
00:06:00,160 --> 00:06:02,128
SO ARE WE OUT OF TREATS?
OVER HERE.

134
00:06:02,162 --> 00:06:05,765
ALL RIGHT, I'M GONNA JUMP
IN THE SHOWER.

135
00:06:05,799 --> 00:06:07,600
DID YOU FINISH
FILLING THESE OUT?

136
00:06:07,634 --> 00:06:09,135
MM-HMM. EVERYTHING
BUT THE ESSAY.

137
00:06:09,169 --> 00:06:11,137
THERE WAS AN ESSAY?
UH-HUH.

138
00:06:11,171 --> 00:06:13,840
YEAH. YOU WANT YOUR SON
IN THE BEST PRIVATE SCHOOL,

139
00:06:13,873 --> 00:06:15,175
<i>YOU BETTER</i>
<i>TELL THEM WHY.</i>

140
00:06:15,208 --> 00:06:16,576
60 WORDS OR LESS.

141
00:06:16,609 --> 00:06:19,045
HOW ABOUT TWO?
WE'RE DESPERATE.

142
00:06:19,079 --> 00:06:21,047
I TOLD YOU THAT THEY MOVED
THE INTERVIEW UP, RIGHT?

143
00:06:21,081 --> 00:06:23,183
IT'S 3:00, NOT 4:00.

144
00:06:23,216 --> 00:06:24,017
WHAT'S WRONG?

145
00:06:24,050 --> 00:06:25,985
I GOT A MEETING
FOR THE RESTAURANT.

146
00:06:26,019 --> 00:06:27,921
SHANE, WE BOTH HAVE
TO BE THERE.

147
00:06:27,954 --> 00:06:29,689
I'VE RESCHEDULED
MY ENTIRE DAY.

148
00:06:29,723 --> 00:06:31,791
OH, I SEE, AND SINCE
MY ENTIRE DAY

149
00:06:31,825 --> 00:06:32,892
CONSISTS OF ONLY ONE MEETING,

150
00:06:32,926 --> 00:06:34,828
AND I HAVE REALLY NOTHING ELSE
GOING IN MY LIFE...

151
00:06:34,861 --> 00:06:36,629
THAT IS NOT
WHAT I MEANT, SHANE.

152
00:06:36,663 --> 00:06:37,831
ALL RIGHT.

153
00:06:39,666 --> 00:06:40,800
[exhales]

154
00:06:40,834 --> 00:06:41,935
I'LL MAKE IT WORK.

155
00:06:41,968 --> 00:06:43,603
THANK YOU.

156
00:06:44,838 --> 00:06:45,805
COME HERE.

157
00:06:45,839 --> 00:06:48,074
WHAT ARE YOU DOING?

158
00:06:48,108 --> 00:06:49,943
I'M TRYING TO CONVINCE YOU
TO GO BACK TO BED.

159
00:06:49,976 --> 00:06:52,912
MM. MM-MM.

160
00:06:52,946 --> 00:06:54,948
COME ON.
WE CAN BE QUICK.

161
00:06:54,981 --> 00:06:57,717
I KNOW YOU.
YOU CAN'T.

162
00:06:59,719 --> 00:07:00,987
THAT USED TO BE
A GOOD THING.

163
00:07:01,021 --> 00:07:04,157
AND HE'S DETERMINED
TO MAKE TONIGHT ABOUT HIM.

164
00:07:04,190 --> 00:07:05,692
WHAT'S TONIGHT?
REMIND ME.

165
00:07:05,725 --> 00:07:06,793
THE <i>BONFIRE</i>WEB LAUNCH.

166
00:07:06,826 --> 00:07:09,162
AND YOU CAN BET MIKE HARNESS
IS GONNA STRUT AROUND

167
00:07:09,195 --> 00:07:10,663
<i>TAKING CREDIT FOR ALL</i>
<i>OF MY WORK.</i>

168
00:07:10,697 --> 00:07:11,398
WHERE ARE MY GLASSES?

169
00:07:11,431 --> 00:07:13,833
THEY'RE BY THE SINK.
THEY'RE NOT.

170
00:07:13,867 --> 00:07:15,902
YOU KNOW WHAT KILLS ME
IS EVERY OTHER MAGAZINE

171
00:07:15,935 --> 00:07:19,039
OF HECTOR'S IS TANKING
AND I'VE TURNED THIS ONE AROUND.

172
00:07:19,072 --> 00:07:22,242
AND MIKE ACTS AS IF HE'S GOT
THE MIDAS TOUCH.

173
00:07:22,275 --> 00:07:23,977
HECTOR KNOWS YOUR VALUE
TO THAT MAGAZINE.

174
00:07:24,010 --> 00:07:25,845
EVERYONE DOES.

175
00:07:25,879 --> 00:07:27,781
I HATE IT WHEN YOU CALL IT
<i>THAT</i>MAGAZINE

176
00:07:27,814 --> 00:07:29,649
AS IF IT WERE
AN INFECTIOUS DISEASE.

177
00:07:29,683 --> 00:07:32,085
[laughs softly]
SORRY.

178
00:07:32,118 --> 00:07:34,621
JUST THINK YOUR TALENTS
ARE BEING WASTED.

179
00:07:34,654 --> 00:07:35,655
RATHER SEE YOU, UH,

180
00:07:35,689 --> 00:07:36,856
BROKERING PEACE
IN THE MIDDLE EAST

181
00:07:36,890 --> 00:07:40,694
OR FINDING A CURE
FOR GINGIVITIS.

182
00:07:40,727 --> 00:07:42,629
WHY DON'T YOU COME
WITH ME TONIGHT?

183
00:07:42,662 --> 00:07:46,700
I CAN'T. STILL HAVE A SYLLABUS
TO PULL TOGETHER. PLEASE.

184
00:07:46,733 --> 00:07:49,235
NICKI, I'D JUST END UP
KICKING MYSELF ALL NIGHT LONG

185
00:07:49,269 --> 00:07:52,739
FOR PLAYING HOOKY
AND RUINING YOUR GOOD TIME.

186
00:07:52,772 --> 00:07:54,741
WELL, WHAT IF I STAYED
HERE TOO?

187
00:07:54,774 --> 00:07:57,711
I MEAN,
WE COULD ORDER IN

188
00:07:57,744 --> 00:07:59,679
<i>AND LIE ON THE SOFA</i>

189
00:07:59,713 --> 00:08:01,047
AND DISCUSS, I DON'T KNOW...

190
00:08:01,081 --> 00:08:02,182
THE TROJAN WAR.

191
00:08:02,215 --> 00:08:03,750
[laughs softly]

192
00:08:03,783 --> 00:08:06,286
OH, COME ON.
IT COULD BE FUN.

193
00:08:06,319 --> 00:08:08,822
IT'S JUST GONNA BE
ANOTHER BORING, TEDIOUS PARTY.

194
00:08:08,855 --> 00:08:11,758
YOU COME ON, NICKI.

195
00:08:11,791 --> 00:08:13,226
I KNOW YOU.

196
00:08:13,259 --> 00:08:15,095
YOU'LL BE KICKING YOURSELF
AND ME

197
00:08:15,128 --> 00:08:17,764
ALL NIGHT LONG IF YOU DON'T GO
TO THAT BIG,

198
00:08:17,797 --> 00:08:19,666
TEDIOUS, BORING PARTY.

199
00:08:19,699 --> 00:08:20,934
OKAY?
NO.

200
00:08:20,967 --> 00:08:22,002
MWAH.

201
00:08:27,307 --> 00:08:31,177
[cell phone ringing]

202
00:08:32,746 --> 00:08:33,713
<i>HELLO.</i>
NICO.

203
00:08:33,747 --> 00:08:34,814
<i>HEY, VIC.</i>

204
00:08:34,848 --> 00:08:37,717
YOU'LL BE HAPPY TO KNOW
THAT I'M TAKING YOUR ADVICE

205
00:08:37,751 --> 00:08:39,319
AND I AM NOT HIDING.
<i>GOOD.</i>

206
00:08:39,352 --> 00:08:41,287
I AM FACING MY PUBLIC

207
00:08:41,321 --> 00:08:43,790
AND I REALLY FEEL
SO MUCH BETTER.

208
00:08:43,823 --> 00:08:45,759
I MEAN, REALLY, THERE'S NOTHING
TO BE EMBARRASSED ABOUT.

209
00:08:45,792 --> 00:08:48,028
I'M THE SAME VICTORY
THAT I ALWAYS WAS.

210
00:08:48,061 --> 00:08:50,764
AND NO REVIEWS
CAN CHANGE THAT.

211
00:08:52,065 --> 00:08:55,235
[employees, mournfully]
HI.

212
00:08:55,268 --> 00:08:56,803
[phone rings]

213
00:08:56,836 --> 00:08:57,937
<i>(receptionist)</i>
<i>GOOD MORNING.</i>

214
00:08:57,971 --> 00:08:59,706
PARADOR PICTURES,
PLEASE HOLD.

215
00:08:59,739 --> 00:09:01,708
GOOD MORNING.
PARADOR PICTURES.

216
00:09:02,842 --> 00:09:04,344
WHERE WERE YOU?
I KNOW, JOSH, I'M SORRY.

217
00:09:04,377 --> 00:09:06,746
I HAD TO TAKE MY KIDS
TO SCHOOL AT THE LAST MINUTE.

218
00:09:06,780 --> 00:09:08,081
WELL, YOU'RE LATE.

219
00:09:08,114 --> 00:09:09,849
YOU HAVE DAILIES ON <i>FALLING</i>
<i>FOR PHOEBE</i>TEN MINUTES AGO.

220
00:09:09,883 --> 00:09:13,720
OH. PLEASE TELL ME TODAY'S
ARE GOING TO BE BETTER.

221
00:09:13,753 --> 00:09:14,654
OKAY, LOOK.

222
00:09:14,688 --> 00:09:17,957
TELL SELDEN TO MEET ME
IN THE SCREENING ROOM.

223
00:09:17,991 --> 00:09:19,092
I NEED TO KNOW

224
00:09:19,125 --> 00:09:21,261
IF LEONARDO DICAPRIO'S DEAL
IS CLOSED.

225
00:09:21,294 --> 00:09:22,762
THANK YOU.

226
00:09:22,796 --> 00:09:23,997
OH, AND EVERYBODY,

227
00:09:24,030 --> 00:09:24,798
<i>PUT DOWN</i>
<i>YOUR SUDOKU PUZZLES.</i>

228
00:09:24,831 --> 00:09:26,066
<i>CALL ALL</i>
<i>YOUR ASSISTANT FRIENDS</i>

229
00:09:26,099 --> 00:09:29,135
AND FIND OUT IF DREAMWORKS
HAS A <i>GALILEO</i>PROJECT.

230
00:09:29,169 --> 00:09:31,838
WHAT KIND OF A MUFFIN IS THIS?
LOOKS KIND OF WEIRD.

231
00:09:31,871 --> 00:09:34,274
MM. NEVER MIND.
IT'S GOOD.

232
00:09:40,880 --> 00:09:41,781
GOOD MORNING, REBECCA.

233
00:09:41,815 --> 00:09:43,049
MORNING.

234
00:09:43,083 --> 00:09:44,351
GET ME HECTOR MATRICK.

235
00:09:44,384 --> 00:09:45,852
I PROMISED HIM
I'D BRIEF HIM

236
00:09:45,885 --> 00:09:47,987
ON THE DETAILS
OF TONIGHT'S EVENT.

237
00:09:48,021 --> 00:09:50,790
OH, I THINK MIKE HARNESS
ALREADY DID THAT.

238
00:09:50,824 --> 00:09:54,828
WHAT? HE DOESN'T KNOW
ANYTHING ABOUT THE WEB LAUNCH.

239
00:09:54,861 --> 00:09:56,329
HIS ASSISTANT CAME LAST NIGHT
AND PICKED UP YOUR NOTES.

240
00:09:58,164 --> 00:10:00,367
SHE ACTED LIKE YOU KNEW.

241
00:10:00,400 --> 00:10:02,402
I AM SO SORRY,
NICO.

242
00:10:02,435 --> 00:10:04,904
GET ME MIKE HARNESS.
NOW.

243
00:10:04,938 --> 00:10:07,040
ABSOLUTELY.

244
00:10:08,208 --> 00:10:09,809
I'M NOT WORRIED.
DON'T FORGET.

245
00:10:09,843 --> 00:10:14,047
WE HAVE 325 STORES
IN ASIA.

246
00:10:15,115 --> 00:10:16,783
WHAT?

247
00:10:16,816 --> 00:10:18,351
MRS. IKITO
CALLED FROM JAPAN.

248
00:10:18,385 --> 00:10:19,586
<i>SHE HATED IT.</i>

249
00:10:19,619 --> 00:10:22,889
<i>WANTS A MEETING WITH YOU NEXT</i>
<i>WEEK IN TOKYO TO DISCUSS...</i>

250
00:10:22,922 --> 00:10:23,990
THE FUTURE.

251
00:10:24,024 --> 00:10:26,926
UGH.

252
00:10:26,960 --> 00:10:29,829
<i>(receptionist)</i>
<i>JOE BENNETT IS ON LINE ONE.</i>

253
00:10:29,863 --> 00:10:31,798
<i>THE BAZILLIONAIRE?</i>

254
00:10:31,831 --> 00:10:34,868
I KNOW WHO HE IS.
WHY IS HE CALLING ME?

255
00:10:36,336 --> 00:10:37,437
VICTORY FORD.

256
00:10:37,470 --> 00:10:38,438
<i>YES, THIS IS ELLEN</i>

257
00:10:38,471 --> 00:10:39,339
FROM JOE BENNETT'S OFFICE.

258
00:10:39,372 --> 00:10:41,141
MR. BENNETT WOULD LIKE YOU
TO MEET HIM

259
00:10:41,174 --> 00:10:42,409
FOR DINNER TONIGHT
AT BOULE.

260
00:10:42,442 --> 00:10:46,413
UH...AND WHAT IS THIS
IN REFERENCE TO?

261
00:10:46,446 --> 00:10:48,148
<i>OH, HE, UH,</i>

262
00:10:48,181 --> 00:10:49,816
FINDS YOU VERY ATTRACTIVE.

263
00:10:49,849 --> 00:10:51,818
AND ACCORDING TO GOOGLE,
YOU ARE SINGLE.

264
00:10:51,851 --> 00:10:55,088
I'M SORRY. ARE YOU ASKING ME OUT
ON A DATE?

265
00:10:55,121 --> 00:10:57,824
YES, I AM. UH, HE IS.

266
00:10:57,857 --> 00:11:00,827
WELL, TELL MR. BENNETT
THANK YOU VERY MUCH,

267
00:11:00,860 --> 00:11:02,128
BUT I DO NOT GO OUT--

268
00:11:02,162 --> 00:11:03,830
<i>IT'S JUST THAT</i>
<i>HE WAS IN THE AUDIENCE</i>

269
00:11:03,863 --> 00:11:05,165
OF YOUR SHOW
THE OTHER NIGHT,

270
00:11:05,198 --> 00:11:06,833
AND HE ABSOLUTELY LOVED IT.

271
00:11:08,368 --> 00:11:11,938
OH, REALLY?

272
00:11:11,971 --> 00:11:14,908
LEONARDO'S DEAL.
IS IT CLOSED?

273
00:11:14,941 --> 00:11:17,010
NOT YET. THE, UH,
THE AGENT IS HOLDING OUT

274
00:11:17,043 --> 00:11:18,311
FOR FINAL CUT.

275
00:11:18,345 --> 00:11:19,212
IT'S A CHICKEN GAME.

276
00:11:19,245 --> 00:11:21,348
WELL, YOU BETTER
LOCK THIS THING UP TODAY.

277
00:11:21,381 --> 00:11:23,416
DREAMWORKS MAY BE ON OUR HEELS
WITH THEIR OWN <i>GALILEO</i>MOVIE

278
00:11:23,450 --> 00:11:25,952
AND I TOLD HECTOR MATRICK
WE HAVE HIM.

279
00:11:25,985 --> 00:11:28,088
I AM NOT GIVING HIM
FINAL CUT.

280
00:11:28,121 --> 00:11:29,122
I KNOW.

281
00:11:29,155 --> 00:11:31,925
BUT I HAVE NURTURED THIS THING
FOR FIVE LONG YEARS.

282
00:11:31,958 --> 00:11:33,993
I BROUGHT IT IN.
I CONVINCED THEM TO DO IT.

283
00:11:34,027 --> 00:11:35,395
IF DREAMWORKS MAKES
A SCHMUCK OUT OF ME,

284
00:11:35,428 --> 00:11:37,030
IT'S MY ASS
ON THE LINE.

285
00:11:39,232 --> 00:11:41,501
DID HE JUST CRINGE
AFTER HE KISSED HER?

286
00:11:41,534 --> 00:11:43,336
<i>OH, MY GOD.</i>

287
00:11:43,370 --> 00:11:45,872
WHAT IS THIS DIRECTOR DOING?

288
00:11:47,974 --> 00:11:48,942
<i>(Nico)</i>
<i>SO</i>BONFIRE,

289
00:11:48,975 --> 00:11:50,977
THE BEST
IN COVERING CELEBRITIES,

290
00:11:51,011 --> 00:11:52,412
POLITICS, AND CULTURE,

291
00:11:52,445 --> 00:11:55,982
WILL NOW SET THE STANDARD
IN EVERY MEDIA PLATFORM.

292
00:11:56,016 --> 00:11:58,251
ON BEHALF OF THE ENTIRE
MATRICK-GURNER FAMILY,

293
00:11:58,284 --> 00:12:00,120
I WOULD LIKE TO THANK
EVERYONE WHO'S MADE

294
00:12:00,153 --> 00:12:02,055
THIS MOMENT POSSIBLE.

295
00:12:02,088 --> 00:12:03,890
<i>ENJOY.</i>

296
00:12:06,159 --> 00:12:08,361
LISTEN, I, UH, HEARD
YOU THREW A LITTLE FIT

297
00:12:08,395 --> 00:12:10,497
ABOUT ME BRIEFING HECTOR.

298
00:12:10,530 --> 00:12:12,065
HE AND I WERE PLAYING GOLF
THIS MORNING,

299
00:12:12,098 --> 00:12:13,500
AND IT JUST SEEMED EASIER
FOR ME TO DO IT.

300
00:12:13,533 --> 00:12:14,501
THAT'S ALL.

301
00:12:14,534 --> 00:12:16,102
OH, THANKS
FOR CLEARING THAT UP.

302
00:12:16,136 --> 00:12:17,971
OH, I HAVE SOMETHING
TO CLEAR UP WITH YOU.

303
00:12:18,004 --> 00:12:19,906
YOU KNOW, WHEN A WOMAN
EXPRESSES HER CONCERN

304
00:12:19,939 --> 00:12:23,009
THAT AN IMPORTANT BUSINESS
MATTER BE DEALT WITH CORRECTLY,

305
00:12:23,043 --> 00:12:25,011
SHE'S NOT THROWING A FIT.

306
00:12:25,045 --> 00:12:28,181
SHE'S JUST DOING HER JOB.
ENJOY THE PARTY.

307
00:12:30,183 --> 00:12:32,385
[cell phone rings]

308
00:12:32,419 --> 00:12:33,253
HELLO.

309
00:12:33,286 --> 00:12:35,288
<i>(Ellen)</i>
<i>UH, MISS FORD, IT'S ELLEN</i>

310
00:12:35,321 --> 00:12:36,489
<i>FROM JOE BENNETT'S OFFICE.</i>

311
00:12:36,523 --> 00:12:39,025
<i>THE CAR'S DOWNSTAIRS</i>
<i>WAITING FOR YOU.</i>

312
00:12:39,059 --> 00:12:41,528
OKAY. UH, TELL MR. BENNETT
THAT I WILL BE RIGHT DOWN.

313
00:12:41,561 --> 00:12:45,932
<i>OH, NO. NOT MR. BENNETT</i>
<i>HIMSELF--THE CAR.</i>

314
00:12:45,965 --> 00:12:47,100
<i>HE'S NOT ACTUALLY</i>
<i>IN THE CAR.</i>

315
00:12:47,133 --> 00:12:51,037
<i>HE SENDS THE CAR AND THE CAR</i>
<i>WILL DELIVER YOU TO HIM.</i>

316
00:12:51,071 --> 00:12:53,073
OKAY.

317
00:13:01,414 --> 00:13:04,050
I'LL TAKE A BEER.
WHATEVER'S COLD.

318
00:13:04,084 --> 00:13:06,086
HOW ABOUT YOU?
CAN I BUY YOU A DRINK?

319
00:13:06,119 --> 00:13:07,954
ME? OH, NO THANK YOU.
I'M GOOD.

320
00:13:07,987 --> 00:13:10,023
YOU SURE?
THEY'RE FREE, YOU KNOW.

321
00:13:10,056 --> 00:13:12,192
BEST THING ABOUT THESE EVENTS
IN MY OPINION.

322
00:13:12,225 --> 00:13:13,393
YOU THINK THEY'RE GONNA BE
A BIG DEAL,

323
00:13:13,426 --> 00:13:15,462
AND THEN YOU GET IN
AND IT'S JUST A BUNCH

324
00:13:15,495 --> 00:13:17,964
OF OVERDRESSED PEOPLE
GIVING BORING SPEECHES

325
00:13:17,997 --> 00:13:20,000
ABOUT THINGS THAT NO ONE
REALLY CARES ABOUT.

326
00:13:20,033 --> 00:13:22,035
YEAH, I HEAR YOU.

327
00:13:22,068 --> 00:13:23,036
I'M KIRBY ATWOOD.

328
00:13:23,069 --> 00:13:25,071
NICO REILLY.

329
00:13:25,105 --> 00:13:27,040
I GAVE THE BORING SPEECH.

330
00:13:27,073 --> 00:13:29,476
AW.

331
00:13:29,509 --> 00:13:33,179
I AM SO SORRY.

332
00:13:33,213 --> 00:13:36,483
LOOK, NOW YOU HAVE TO LET ME
BUY YOU THAT FREE DRINK.

333
00:13:36,516 --> 00:13:39,619
OKAY.

334
00:13:39,652 --> 00:13:42,322
<i>TAKE 18.</i>

335
00:13:42,355 --> 00:13:43,623
WE FELL IN THE FALL.

336
00:13:43,656 --> 00:13:46,226
JUST LIKE THE FORTUNE COOKIE
PREDICTED.

337
00:13:46,259 --> 00:13:50,363
WE DID, DIDN'T WE?

338
00:13:50,397 --> 00:13:51,364
<i>(Wendy)</i>
<i>OKAY, THAT.</i>

339
00:13:51,398 --> 00:13:52,565
THAT RIGHT THERE.

340
00:13:52,599 --> 00:13:54,367
WHY IS HE DOING THAT?

341
00:13:54,401 --> 00:13:56,102
IT'S THE END OF THE MOVIE.

342
00:13:56,136 --> 00:13:57,637
THEY'RE FINALLY IN LOVE.

343
00:13:57,671 --> 00:14:00,106
HELP ME UNDERSTAND, BRUNO.

344
00:14:00,140 --> 00:14:01,508
WHY IS HE LOOKING
AT THE GUY WITH THE DOG?

345
00:14:01,541 --> 00:14:03,376
UM, I'M GLAD
YOU NOTICED THAT.

346
00:14:03,410 --> 00:14:05,078
<i>THAT WAS SUBTLE,</i>
<i>BUT I LIKE WHAT WE DID THERE.</i>

347
00:14:05,111 --> 00:14:07,280
THE GUY WITH THE DOG

348
00:14:07,313 --> 00:14:10,550
IS THE LIFE
HE'LL NEVER HAVE.

349
00:14:10,583 --> 00:14:12,252
SEE, IN MY SUBTEXT,
BILLY'S GAY.

350
00:14:12,285 --> 00:14:13,453
WHAT?

351
00:14:13,486 --> 00:14:15,255
IT GIVES THE PIECE
AN INTERESTING LAYER.

352
00:14:15,288 --> 00:14:16,456
DON'T YOU THINK?

353
00:14:16,489 --> 00:14:19,125
I MEAN, WHO NEEDS ANOTHER
FROTHY, ROMANTIC COMEDY, RIGHT?

354
00:14:19,159 --> 00:14:20,326
HA.

355
00:14:20,360 --> 00:14:23,263
ACTUALLY, BRUNO...

356
00:14:23,296 --> 00:14:25,365
I DO.

357
00:14:25,398 --> 00:14:27,133
LOOK.

358
00:14:27,167 --> 00:14:28,668
IT WAS A BOLD EXPERIMENT

359
00:14:28,702 --> 00:14:31,037
PUTTING YOU ON A LIGHTER FILM
LIKE THIS.

360
00:14:31,071 --> 00:14:33,039
I JUST DON'T THINK
IT'S A GOOD FIT.

361
00:14:33,073 --> 00:14:35,108
<i>WE'RE NOT HAPPY.</i>

362
00:14:35,141 --> 00:14:37,043
AND I DON'T THINK
YOU'RE HAPPY.

363
00:14:38,078 --> 00:14:39,179
WHAT'S HAPPENING HERE?

364
00:14:54,094 --> 00:14:56,596
YEAH, WE'RE GOING OUT
RIGHT NOW.

365
00:14:56,629 --> 00:14:58,698
SURE, SHE'S PRETTY.

366
00:14:58,732 --> 00:15:00,533
SHE'S GORGEOUS.

367
00:15:00,567 --> 00:15:02,302
PRETTIER THAN HER PICTURES.

368
00:15:02,335 --> 00:15:03,570
<i>OH, HAVE YOU GOT</i>
<i>MY BUBBLES?</i>

369
00:15:03,603 --> 00:15:04,637
<i>I'M NOT DRINKING</i>
<i>RESTAURANT CHAMPAGNE.</i>

370
00:15:04,671 --> 00:15:07,073
WELL, YOU WANT TO GO AHEAD
AND OPEN THAT, PLEASE?

371
00:15:07,107 --> 00:15:09,509
I'M JUST GONNA BE
A MINUTE, OKAY?

372
00:15:09,542 --> 00:15:11,511
<i>NO. WELL,</i>
<i>I DON'T KNOW THAT.</i>

373
00:15:11,544 --> 00:15:12,512
<i>WELL, THAT'S NOT--</i>

374
00:15:12,545 --> 00:15:14,614
<i>THAT DOESN'T FALL</i>
<i>ON OUR SHOULDERS, DOES IT?</i>

375
00:15:14,647 --> 00:15:16,216
* YOU KEEP CALLING ME *

376
00:15:16,249 --> 00:15:17,517
* BACK TO YOUR HEART *

377
00:15:17,550 --> 00:15:18,518
* LET ME HEAR YOU SAY *

378
00:15:18,551 --> 00:15:20,120
* I'M SO GLAD YOU FOUND ME *

379
00:15:20,153 --> 00:15:22,322
* OH, WRAP YOUR WORLD
AROUND ME *

380
00:15:22,355 --> 00:15:24,724
GOD, I CAN'T STOP
LOOKING AT YOU.

381
00:15:24,758 --> 00:15:26,459
[laughs]

382
00:15:26,493 --> 00:15:28,495
IS IT--IS THAT--IS IT BAD
OF ME TO SAY THAT?

383
00:15:28,528 --> 00:15:30,096
NO. SORRY.

384
00:15:30,130 --> 00:15:31,498
LOOK, UM, I'M SORRY.

385
00:15:31,531 --> 00:15:33,366
I JUST SAY THINGS
WHEN I THINK 'EM.

386
00:15:33,400 --> 00:15:34,501
I DON'T REALLY
HAVE A, UH...

387
00:15:34,534 --> 00:15:36,436
WHAT DO YOU...

388
00:15:36,469 --> 00:15:37,704
WHATEVER.
IT DOESN'T MATTER.

389
00:15:37,737 --> 00:15:43,209
CLEARLY, I'M NOT MUCH
OF A WORDS PERSON.

390
00:15:43,243 --> 00:15:47,514
AND YOU ARE AMAZING,
THOUGH.

391
00:15:47,547 --> 00:15:49,182
REALLY.

392
00:15:52,218 --> 00:15:53,620
I'M...

393
00:15:53,653 --> 00:15:57,357
I'M SORRY IF I'VE JUST BEEN
STARING AT YOU ALL NIGHT.

394
00:15:57,390 --> 00:16:01,161
BUT...IT'S, UH,

395
00:16:01,194 --> 00:16:05,498
IT'S JUST BEEN HARD,
YOU KNOW...

396
00:16:05,532 --> 00:16:07,634
NOT TO.

397
00:16:07,667 --> 00:16:11,171
WOULD YOU, UM,
'SCUSE--'SCUSE ME?

398
00:16:12,806 --> 00:16:14,541
YEAH.

399
00:16:16,409 --> 00:16:18,311
WHEW. OKAY.

400
00:16:25,552 --> 00:16:28,521
WAIT, WAIT.
DO YOU KNOW HOW OLD I AM?

401
00:16:28,555 --> 00:16:30,757
I DON'T CARE.

402
00:16:30,790 --> 00:16:33,793
MM. MM.

403
00:16:33,827 --> 00:16:35,161
ARE YOU LOOKING FOR A JOB?

404
00:16:35,195 --> 00:16:37,263
NO.

405
00:16:37,297 --> 00:16:40,333
MM. MM. I JUST--
I DON'T UNDERSTAND WHAT--

406
00:16:40,367 --> 00:16:42,702
SHH. YOU'RE SEXY.

407
00:16:42,736 --> 00:16:44,504
STOP TALKING.

408
00:16:44,537 --> 00:16:46,606
[Goldfrapp's <i>Ooh La La]</i>

409
00:16:46,639 --> 00:16:49,576
OH, MY GOD.

410
00:16:49,609 --> 00:16:51,444
NO, NO, NO.
NO, NO, NO, NO, NO.

411
00:16:51,478 --> 00:16:53,413
I'M MARRIED.
I DON'T DO THIS.

412
00:16:53,446 --> 00:16:55,348
OH, MY GOD.

413
00:16:55,382 --> 00:16:59,185
OH, HEY, NO WORRIES.

414
00:16:59,219 --> 00:17:01,321
IT'S COOL.

415
00:17:01,354 --> 00:17:03,356
GIVE ME A CALL
IF YOU CHANGE YOUR MIND.

416
00:17:03,390 --> 00:17:05,625
I WILL. THANK YOU.
I'LL DO THAT.

417
00:17:05,658 --> 00:17:09,429
LET ME, UH,
GIVE YOU MY NUMBER.

418
00:17:09,462 --> 00:17:17,470
* *

419
00:17:22,308 --> 00:17:23,543
AH.

420
00:17:29,349 --> 00:17:30,684
OH.

421
00:17:33,253 --> 00:17:36,322
[laughing]

422
00:17:36,356 --> 00:17:37,824
EXCELLENT. EXCELLENT.

423
00:17:41,861 --> 00:17:43,663
I'M REALLY GLAD
WE'RE DOING THIS.

424
00:17:44,898 --> 00:17:46,599
DO YOU REALLY THINK
IT'S NECESSARY

425
00:17:46,633 --> 00:17:49,302
TO HAVE YOUR ASSISTANT
CARRY YOUR CHAMPAGNE

426
00:17:49,336 --> 00:17:51,604
OUT TO YOUR CAR?

427
00:17:51,638 --> 00:17:53,239
WHY WOULD SHE MIND?

428
00:17:53,273 --> 00:17:55,408
SHE'S THE BEST PAID SECRETARY
IN NEW YORK.

429
00:17:55,442 --> 00:17:56,509
SHE LOVES ME.

430
00:17:56,543 --> 00:17:58,345
ONLY BECAUSE SHE HAS TO.

431
00:17:58,378 --> 00:17:59,546
AND WHY DO YOU MAKE HER

432
00:17:59,579 --> 00:18:01,314
ARRANGE YOUR DATES
FOR HER?

433
00:18:01,348 --> 00:18:02,816
WHY CAN'T YOU CALL
A WOMAN YOURSELF?

434
00:18:02,849 --> 00:18:05,285
CLEARLY, YOU KNOW
HOW TO USE THE PHONE.

435
00:18:05,318 --> 00:18:06,152
BECAUSE, VICTORY,

436
00:18:06,186 --> 00:18:09,356
MY TIME IS WORTH
ABOUT $5,000 A MINUTE.

437
00:18:09,389 --> 00:18:11,491
I'M NOT SAYING
THAT YOU'RE NOT WORTH IT.

438
00:18:11,524 --> 00:18:13,827
BUT IF I'D CALLED YOU MYSELF
AND YOU TURNED ME DOWN,

439
00:18:13,860 --> 00:18:16,396
THAT WOULD'VE COST ME
ABOUT $20,000.

440
00:18:16,429 --> 00:18:18,331
SURELY YOU CAN AFFORD THAT.

441
00:18:18,365 --> 00:18:20,367
YEAH, WELL, IT'S NOT
WHAT I CAN AFFORD,

442
00:18:20,400 --> 00:18:21,501
IT'S WHAT I CHOOSE
TO AFFORD.

443
00:18:21,534 --> 00:18:22,836
SEE, I DON'T HAVE
TO DO ANYTHING

444
00:18:22,869 --> 00:18:23,870
THAT I DON'T WANT TO DO.

445
00:18:23,903 --> 00:18:27,340
AND SO, YOU KNOW,
IF I CHOOSE TO BE WITH YOU,

446
00:18:27,374 --> 00:18:29,342
IT'S BECAUSE I WANT TO BE.

447
00:18:34,581 --> 00:18:36,616
<i>(Charles)</i>
<i>HEY, NICKI?</i>

448
00:18:36,649 --> 00:18:38,518
<i>DO WE HAVE ANYTHING, UH,</i>
<i>NEXT SUNDAY?</i>

449
00:18:38,551 --> 00:18:41,388
I'M, UH, I-I HAVE TO CHECK.
WHY?

450
00:18:41,421 --> 00:18:43,890
WELL, THE HEAD
OF THE HISTORY DEPARTMENT

451
00:18:43,923 --> 00:18:48,328
<i>AT AMHERST</i>
<i>ASKED ME TO SIT ON SOME PANEL.</i>

452
00:18:48,361 --> 00:18:50,397
<i>I GUESS TED SENT</i>
<i>AN ADVANCE COPY OF THE BOOK.</i>

453
00:18:50,430 --> 00:18:54,934
I DIDN'T ASK HIM ABOUT
ALL THE PROMOTION, YOU KNOW.

454
00:18:54,968 --> 00:18:57,303
ANYWAY...
[turns on water]

455
00:18:57,337 --> 00:18:58,304
YOU UP FOR IT?

456
00:18:58,338 --> 00:18:59,372
I WAS WONDERING MAYBE,

457
00:18:59,406 --> 00:19:00,774
YOU KNOW,
DO AN OVERNIGHT.

458
00:19:00,807 --> 00:19:04,644
<i>STAY AT THE LITTLE HOTEL</i>
<i>YOU LOVE. HMM?</i>

459
00:19:04,678 --> 00:19:07,547
SURE.
<i>GOOD.</i>

460
00:19:08,982 --> 00:19:12,652
OH. I LOOK LIKE HELL.

461
00:19:12,686 --> 00:19:14,387
GOIN' TO BED.

462
00:19:14,421 --> 00:19:15,889
GOOD NIGHT, HON.
NIGHT.

463
00:19:32,505 --> 00:19:34,841
YOU KNOW...

464
00:19:34,874 --> 00:19:36,643
YOU MAY NOT BE
AS MUCH OF AN ASS

465
00:19:36,676 --> 00:19:38,645
AS I THOUGHT YOU WERE.

466
00:19:38,678 --> 00:19:40,780
[laughs]

467
00:19:40,814 --> 00:19:43,850
WELL, YOU KNOW
WHAT THEY SAY...

468
00:19:43,883 --> 00:19:45,852
ALL MEN ARE ASSES
AND ALL WOMEN ARE CRAZY.

469
00:19:45,885 --> 00:19:48,588
SO DO YOU THINK
I'M CRAZY?

470
00:19:48,621 --> 00:19:52,726
HMM. I'M NOT SURE YET.

471
00:19:52,759 --> 00:19:54,494
BUT IT'S THE MOMENTS

472
00:19:54,527 --> 00:19:55,862
BEFORE YOU KNOW THE TRUTH
ABOUT SOMEONE

473
00:19:55,895 --> 00:19:57,530
THAT REALLY ARE
THE MOST EXCITING, AREN'T THEY?

474
00:19:57,564 --> 00:20:00,233
TO THE MOMENTS BEFORE.

475
00:20:10,310 --> 00:20:11,711
<i>(Wendy)</i>
<i>LEONARDO'S DEAL</i>

476
00:20:11,745 --> 00:20:13,046
IS STILL NOT CLOSED?

477
00:20:13,079 --> 00:20:14,047
JOSH!

478
00:20:14,080 --> 00:20:15,482
<i>GET SEL.</i>

479
00:20:17,517 --> 00:20:18,885
AND WHAT IS THIS?

480
00:20:18,918 --> 00:20:20,553
WHY DO I KEEP GETTING
PRODUCTION REPORTS

481
00:20:20,587 --> 00:20:22,288
ON <i>FALLING FOR PHOEBE?</i>

482
00:20:22,322 --> 00:20:24,657
I THOUGHT THEY WERE
SHUT DOWN.

483
00:20:24,691 --> 00:20:26,292
<i>(Josh)</i>
<i>YEAH, THEY'RE STILL SHOOTING.</i>

484
00:20:26,326 --> 00:20:27,961
I THOUGHT THAT WAS
A LITTLE ODD TOO.

485
00:20:27,994 --> 00:20:29,829
<i>DIDN'T YOU FIRE</i>
<i>THE DIRECTOR?</i>

486
00:20:29,863 --> 00:20:32,298
YES, I DID, JOSH.
DAMN IT.

487
00:20:32,332 --> 00:20:33,700
ALL RIGHT, FORGET SEL.

488
00:20:33,733 --> 00:20:35,068
GET BRUNO CARR RIGHT NOW

489
00:20:35,101 --> 00:20:37,037
AND LET'S SEE WHAT THE HELL'S
GOING ON DOWN THERE.

490
00:20:39,606 --> 00:20:41,508
YOU HAVE MUFFIN
ON YOUR BREAST.

491
00:20:45,512 --> 00:20:50,517
[soft chatter]

492
00:20:50,550 --> 00:20:52,585
SORRY I'M LATE.
LATE FOR WHAT?

493
00:20:52,619 --> 00:20:53,620
WELL, I ASSUME
WE'RE HAVING A MEETING.

494
00:20:53,653 --> 00:20:54,654
NO. WE'RE HAVING LUNCH.

495
00:20:54,688 --> 00:20:56,723
OH, WELL, I JUST DIDN'T WANT
TO BE OUT OF THE LOOP.

496
00:20:56,756 --> 00:20:57,924
<i>WERE YOU THINKING</i>

497
00:20:57,957 --> 00:20:59,592
OF SOMETHING
IN PARTICULAR?

498
00:20:59,626 --> 00:21:00,593
YEAH, THE AGENDA FOR ZURICH.

499
00:21:02,562 --> 00:21:03,563
<i>NICO,</i>
<i>THAT WAS ONLY DISCUSSED</i>

500
00:21:03,596 --> 00:21:04,364
BECAUSE YOU WEREN'T AVAILABLE.

501
00:21:04,397 --> 00:21:05,799
WELL, BECAUSE YOU DIDN'T
LET ME KNOW.

502
00:21:05,832 --> 00:21:06,666
I WOULD'VE BEEN AVAILABLE--

503
00:21:06,700 --> 00:21:08,568
MIKE, WHY DON'T YOU SWING BY
YOUR OFFICE

504
00:21:08,601 --> 00:21:10,570
AND BRING UP THE DOCUMENTS
IN QUESTION.

505
00:21:10,603 --> 00:21:11,338
OF COURSE.

506
00:21:11,371 --> 00:21:12,372
THANK YOU.

507
00:21:12,405 --> 00:21:14,107
<i>SIT DOWN, NICO.</i>
<i>YOU'RE SCARY WHEN YOU HOVER.</i>

508
00:21:14,140 --> 00:21:18,044
SO WHAT'S GOING ON
BETWEEN YOU TWO?

509
00:21:18,078 --> 00:21:20,547
LOOK, MAYBE I'M JUMPING
TO CONCLUSIONS.

510
00:21:20,580 --> 00:21:22,115
IT JUST SEEMS
LIKE YOU'RE GROOMING MIKE

511
00:21:22,148 --> 00:21:24,884
TO BECOME CREATIVE DIRECTOR.

512
00:21:24,918 --> 00:21:26,686
AND YOU SEE THAT
AS A MISTAKE.

513
00:21:26,720 --> 00:21:27,821
HECTOR,

514
00:21:27,854 --> 00:21:30,357
I THINK YOU NEED SOMEONE
WITH A VISION.

515
00:21:30,390 --> 00:21:32,359
<i>BONFIRE</i>IS A PUBLICATION

516
00:21:32,392 --> 00:21:34,127
THAT'S MADE A PROFIT
IN THE LAST TWO QUARTERS.

517
00:21:34,160 --> 00:21:35,595
IF YOUR OTHER MAGAZINES--

518
00:21:35,628 --> 00:21:37,897
I DON'T SEE YOU
IN THAT POSITION.

519
00:21:39,599 --> 00:21:40,133
WHY NOT?

520
00:21:40,166 --> 00:21:41,668
WELL, NUMBER ONE,

521
00:21:41,701 --> 00:21:42,936
YOU'RE DOING A FINE JOB
WHERE YOU ARE.

522
00:21:42,969 --> 00:21:44,371
AND NUMBER TWO?

523
00:21:44,404 --> 00:21:47,073
HONESTLY, YOU'RE A WOMAN
OF A CERTAIN AGE

524
00:21:47,107 --> 00:21:50,110
WHO'S APPROACHING
A CRITICAL JUNCTURE IN HER LIFE.

525
00:21:50,143 --> 00:21:51,711
YOUR DECISION
TO START A FAMILY IS--

526
00:21:51,745 --> 00:21:52,946
WHOA, WHOA, STOP.

527
00:21:52,979 --> 00:21:54,814
WHO SAID THAT I WANTED
TO START A FAMILY?

528
00:21:54,848 --> 00:21:55,815
YOU DID.

529
00:21:55,849 --> 00:21:57,784
TO MY WIFE.

530
00:21:57,817 --> 00:21:59,919
YOU BOTH ATTENDED A FUNCTION
A FEW WEEKS BACK,

531
00:21:59,953 --> 00:22:02,555
AND EVIDENTLY, YOU BECAME
QUITE MISTY.

532
00:22:02,589 --> 00:22:04,924
THAT WAS A BABY SHOWER.

533
00:22:04,958 --> 00:22:07,927
I WASN'T MISTY. I MEAN,
WHAT WAS I SUPPOSED TO SAY?

534
00:22:07,961 --> 00:22:09,996
"WHO NEEDS A RATTLE WHEN
YOU CAN JUST THROW YOUR KID

535
00:22:10,030 --> 00:22:11,031
A CHICKEN BONE?"

536
00:22:11,064 --> 00:22:12,932
I KNOW THIS IS
A SENSITIVE SUBJECT.

537
00:22:12,966 --> 00:22:17,404
WELL, NOT FOR THE REASONS
THAT YOU MIGHT THINK.

538
00:22:17,437 --> 00:22:19,639
AND MIGHT I POINT OUT

539
00:22:19,673 --> 00:22:20,807
THAT MIKE HAS TWO KIDS.

540
00:22:20,840 --> 00:22:22,575
THERE'S NO COMPARISON.

541
00:22:22,609 --> 00:22:23,943
IT'S CHALK AND CHEESE.

542
00:22:23,977 --> 00:22:26,946
LOOK, THE LAST WOMAN
I PROMOTED TO A TOP POST

543
00:22:26,980 --> 00:22:28,682
WENT OFF, HAD A CHILD,

544
00:22:28,715 --> 00:22:31,151
AND LOST HER DRIVE--
LOST HER FOCUS.

545
00:22:31,184 --> 00:22:34,587
MEN AND WOMAN
ARE HARDWIRED DIFFERENTLY.

546
00:22:35,755 --> 00:22:37,757
OF COURSE...

547
00:22:37,791 --> 00:22:39,926
YOU COULD PROVE ME WRONG.

548
00:22:39,959 --> 00:22:41,661
I THOUGHT I ALREADY HAD.

549
00:22:41,695 --> 00:22:44,597
I DIDN'T JUST GET
TO THIS POSITION BY ACCIDENT.

550
00:22:44,631 --> 00:22:45,398
LET'S WAIT AND SEE THE FIGURES

551
00:22:45,432 --> 00:22:47,600
FOR THE NEXT QUARTER,
SHALL WE?

552
00:22:48,835 --> 00:22:50,603
ANOTHER PLACE SETTING.

553
00:22:50,637 --> 00:22:51,471
OH, UH, DON'T BOTHER.

554
00:22:51,504 --> 00:22:53,673
I JUST REMEMBERED
I HAVE ANOTHER LUNCH.

555
00:22:53,707 --> 00:22:56,843
AND A LOT OF WORK.

556
00:22:56,876 --> 00:22:58,611
<i>BON APPETIT.</i>

557
00:23:06,953 --> 00:23:08,188
<i>HE KNOWS I DESERVE</i>
<i>THIS JOB.</i>

558
00:23:08,221 --> 00:23:09,856
AND TO READ
INTO SOME STUPID REMARK

559
00:23:09,889 --> 00:23:11,725
I DON'T EVEN
REMEMBER MAKING!

560
00:23:11,758 --> 00:23:13,126
BUT YOU HAVE...

561
00:23:13,159 --> 00:23:14,461
SAID YOU WANTED A FAMILY.

562
00:23:14,494 --> 00:23:16,196
WHOSE SIDE ARE YOU ON?

563
00:23:16,229 --> 00:23:18,765
WELL, IT'S NOT A CRIME.
IT'S A LEGITIMATE DESIRE.

564
00:23:18,798 --> 00:23:20,000
THESE LEATHER?

565
00:23:20,033 --> 00:23:20,934
HE FIRED THAT SHOT HOPING

566
00:23:20,967 --> 00:23:22,002
I WOULD GET ALL FLUSTERED
AND EMOTIONAL.

567
00:23:22,035 --> 00:23:25,138
AND THEN HE'D HAVE SUPPORT
FOR HIS SEXIST ARGUMENT.

568
00:23:25,171 --> 00:23:26,172
TRY THESE.

569
00:23:26,206 --> 00:23:28,208
IT'S A LOSE-LOSE SITUATION
IN THE CORPORATE WORLD.

570
00:23:28,241 --> 00:23:29,242
IF YOU WANT
TO START A FAMILY,

571
00:23:29,275 --> 00:23:30,443
THEN YOU'RE DISTRACTED.

572
00:23:30,477 --> 00:23:32,879
AND IF YOU DON'T, THEN THERE'S
SOMETHING WRONG WITH YOU.

573
00:23:32,912 --> 00:23:34,748
YOU'RE UNNATURAL.
YOU HATE MEN.

574
00:23:34,781 --> 00:23:36,750
YOU'RE HIDING TESTICLES
UNDER YOUR SKIRT!

575
00:23:36,783 --> 00:23:38,885
OKAY, VOLUME.
SORRY.

576
00:23:38,918 --> 00:23:40,887
WELL, DO WE KNOW
WHO SHE IS?

577
00:23:40,920 --> 00:23:42,022
WHO?

578
00:23:42,055 --> 00:23:43,990
THE FEMALE EXEC
WHO LET HIM DOWN

579
00:23:44,024 --> 00:23:45,492
WHEN SHE BECAME
A MOMMY?

580
00:23:45,525 --> 00:23:47,861
OH, COME ON, HONEY.
IT'S NOT YOU.

581
00:23:47,894 --> 00:23:50,163
YOU ARE THE BEST THING
THAT HAPPENED TO THAT STUDIO.

582
00:23:50,196 --> 00:23:52,899
BUT YOU CAN'T WEAR GREEN.

583
00:23:52,932 --> 00:23:54,501
<i>YOU LOOK LIKE SHREK.</i>

584
00:23:54,534 --> 00:23:56,136
PUT IT BACK.

585
00:23:56,169 --> 00:23:59,172
WHY--HEY, HEY.
WHY WOULD YOU EVEN GO THERE?

586
00:23:59,205 --> 00:24:01,675
YOU KNOW THAT YOU ARE
HECTOR'S FAVORITE CHILD.

587
00:24:01,708 --> 00:24:03,009
YEAH, MAYBE YESTERDAY.

588
00:24:03,043 --> 00:24:04,778
TODAY I'M STALKING
LEO DICAPRIO

589
00:24:04,811 --> 00:24:06,279
AND I'VE GOT A DIRECTOR
WHO WON'T LET ME FIRE HIM.

590
00:24:06,312 --> 00:24:08,081
<i>FREEZE.</i>

591
00:24:08,114 --> 00:24:10,717
THIS IS A COLOR
THAT YOU CAN WEAR.

592
00:24:10,750 --> 00:24:12,519
I DON'T WEAR PINK.

593
00:24:12,552 --> 00:24:13,753
IT'S RHUBARB.

594
00:24:13,787 --> 00:24:14,554
WELL, THEN IT BELONGS
IN A PIE,

595
00:24:14,587 --> 00:24:16,189
WHICH SOUNDS VERY GOOD
RIGHT NOW.

596
00:24:16,222 --> 00:24:18,191
COME ON. CAN WE PLEASE GO
BEFORE THEY GIVE OUR TABLE AWAY?

597
00:24:18,224 --> 00:24:19,859
WHAT DO YOU MEAN
HE WON'T LET YOU FIRE HIM?

598
00:24:19,893 --> 00:24:21,194
I CALLED HIM IN.
I SAID IT WASN'T WORKING.

599
00:24:21,227 --> 00:24:23,730
WE HUGGED. I THOUGHT--
HUGGED?

600
00:24:23,763 --> 00:24:26,232
WHAT DO YOU MEAN YOU HUGGED?
THERE'S NO HUGGING IN FIRING.

601
00:24:26,266 --> 00:24:29,803
I HAVE FIRED AND HUGGED BEFORE
WITHOUT A PROBLEM.

602
00:24:29,836 --> 00:24:31,304
I'M A HUGGER.
WHEN?

603
00:24:31,338 --> 00:24:34,040
YOU ARE HIS BOSS,
NOT HIS MOTHER.

604
00:24:34,074 --> 00:24:35,709
I DON'T THINK YOU HAVE
TO BE COLD AND NASTY

605
00:24:35,742 --> 00:24:36,476
TO PROVE YOU'RE IN CHARGE.

606
00:24:36,509 --> 00:24:38,078
OH, SO NOW
I'M COLD AND NASTY.

607
00:24:38,111 --> 00:24:40,113
OH, LOOK, THIS TAKES AWAY
COLD AND NASTY.

608
00:24:40,146 --> 00:24:41,548
COME SMELL.

609
00:24:41,581 --> 00:24:42,816
ALL I AM SAYING

610
00:24:42,849 --> 00:24:44,884
IS THAT WE HAVE
DIFFERENT STYLES,

611
00:24:44,918 --> 00:24:46,953
NIC, THAT'S ALL.

612
00:24:46,986 --> 00:24:48,922
WOULD A MALE STUDIO EXEC
HUG HIM?

613
00:24:49,989 --> 00:24:50,990
THANK YOU.

614
00:24:51,024 --> 00:24:52,025
OH, DON'T PUT THAT ON ME.

615
00:24:52,058 --> 00:24:53,560
I'LL TRY IT.

616
00:24:53,593 --> 00:24:56,730
BOLD AND DECISIVE
DOESN'T ALWAYS WORK, OKAY?

617
00:24:56,763 --> 00:24:57,931
I PICKED UP THE CHECK
LAST NIGHT

618
00:24:57,964 --> 00:24:59,833
AND JOE BENNETT
ALMOST HAD A STROKE.

619
00:24:59,866 --> 00:25:01,201
FROM WHAT YOU SAID
ABOUT THE DATE,

620
00:25:01,234 --> 00:25:02,769
THAT WOULD'VE BEEN
THE HIGHLIGHT.

621
00:25:02,802 --> 00:25:04,237
NOT ALL BAD.

622
00:25:04,270 --> 00:25:05,572
BEHIND THE BLUSTER,

623
00:25:05,605 --> 00:25:07,841
I SAW A NERVOUS
LITTLE BOY WITH DIMPLES.

624
00:25:07,874 --> 00:25:09,109
I LOVE DIMPLES.

625
00:25:09,142 --> 00:25:10,343
SO RENT
A DENNIS QUAID MOVIE.

626
00:25:10,377 --> 00:25:12,912
YOU GONNA SEE DIMPLES AGAIN?

627
00:25:12,946 --> 00:25:15,849
SHE'S LOOKING
AT COCONUT MASSAGE OIL.

628
00:25:15,882 --> 00:25:17,751
YOU'RE GONNA SLEEP
WITH HIM.

629
00:25:17,784 --> 00:25:18,952
MM-HMM.

630
00:25:18,985 --> 00:25:21,087
OH, DON'T GIVE ME
THAT YOU'RE A WHORE LOOK.

631
00:25:21,121 --> 00:25:23,256
SOME OF US AREN'T MARRIED
TO SHANE THE LOVE MACHINE.

632
00:25:23,289 --> 00:25:25,191
LET ME SEE THAT.

633
00:25:25,225 --> 00:25:27,794
MM. WOULD CHARLES
LIKE THIS?

634
00:25:27,827 --> 00:25:30,296
WHAT IS CHARLES
INTO ANYWAY?

635
00:25:30,330 --> 00:25:32,265
BOOKS.

636
00:25:32,298 --> 00:25:36,102
WRITING THEM, READING THEM,
AND DISCUSSING THEM.

637
00:25:40,840 --> 00:25:42,876
NICO...

638
00:25:42,909 --> 00:25:46,012
HOW LONG HAS IT BEEN?

639
00:25:46,046 --> 00:25:48,314
AWHILE.

640
00:25:48,348 --> 00:25:50,150
I DON'T KNOW.
I HAVEN'T KEPT TRACK.

641
00:25:50,183 --> 00:25:51,785
[cell phone rings]

642
00:25:51,818 --> 00:25:54,621
OH, SORRY.

643
00:25:54,654 --> 00:25:55,922
HECTOR.

644
00:25:55,955 --> 00:25:59,025
GALILEO'S <i>GOING INTO PRODUCTION</i>
<i>AT DREAMWORKS TOMORROW.</i>

645
00:25:59,059 --> 00:26:00,226
WHAT?
THAT'S NOT POSSIBLE.

646
00:26:00,260 --> 00:26:03,263
<i>THEY'RE FLYING DICAPRIO</i>
<i>OUT TODAY ON THE COMPANY JET.</i>

647
00:26:03,296 --> 00:26:06,032
<i>I'M CONFUSED.</i>
<i>I THOUGHT OUR DEAL WAS CLOSED.</i>

648
00:26:06,066 --> 00:26:07,334
I'M ON IT.

649
00:26:07,367 --> 00:26:08,902
I GOTTA GO.

650
00:26:08,935 --> 00:26:10,937
LEO IS BOARDING
SOMEBODY ELSE'S PLANE.

651
00:26:10,970 --> 00:26:13,306
OH, AND BUY HER
THAT MASSAGE OIL.

652
00:26:13,340 --> 00:26:15,275
SHE NEEDS IT
MORE THAN YOU DO.

653
00:26:31,458 --> 00:26:35,862
[speed dial sound]

654
00:26:35,895 --> 00:26:40,066
HELLO? KIRBY, IT'S NICO.

655
00:26:40,100 --> 00:26:42,102
NICO REILLY
FROM THE OTHER NIGHT.

656
00:26:46,139 --> 00:26:47,140
(Kirby)
I'M GLAD THAT YOU'RE HERE.

657
00:26:47,173 --> 00:26:48,308
[bike shakes]
OH!

658
00:26:48,341 --> 00:26:50,076
SORRY ABOUT THE BIKE.
THAT'S ALL RIGHT.

659
00:26:50,110 --> 00:26:51,077
IT'S MY ROOMMATE'S.

660
00:26:51,111 --> 00:26:51,911
SO THIS IS IT.

661
00:26:51,945 --> 00:26:53,913
UH, I KINDA WANT TO GET
MY OWN PLACE.

662
00:26:53,947 --> 00:26:56,049
BUT I LIKE LIVING
DOWNTOWN, YOU KNOW.

663
00:26:56,082 --> 00:26:57,384
AND IT'S...
OH.

664
00:26:57,417 --> 00:27:01,054
ALSO A REALLY GOOD PLACE
FOR THE PRICE.

665
00:27:01,087 --> 00:27:02,055
YEAH, YEAH.

666
00:27:02,088 --> 00:27:05,291
IT'S, UM, IT'S GOT
GOOD BONES.

667
00:27:05,325 --> 00:27:07,093
YOU LOOK GREAT,
BY THE WAY.

668
00:27:07,127 --> 00:27:08,428
OH, THANKS.

669
00:27:08,461 --> 00:27:13,033
WOULD YOU LIKE SOME WINE
OR ANYTHING?

670
00:27:13,066 --> 00:27:16,870
UM...I, UH...

671
00:27:16,903 --> 00:27:17,971
I-I SHOULDN'T.

672
00:27:18,004 --> 00:27:19,372
I HAD CHAMPAGNE
AT LUNCH

673
00:27:19,406 --> 00:27:21,975
AND I'M GONNA HAVE
TO GET BACK TO WORK.

674
00:27:22,008 --> 00:27:24,377
I-I KNOW
YOU'RE SUPER BUSY.

675
00:27:24,411 --> 00:27:28,281
BUT...YOU'VE GOTTA RELAX,
YOU KNOW.

676
00:27:28,314 --> 00:27:31,117
YEAH. IT'S...

677
00:27:31,151 --> 00:27:32,986
[drops purse on floor]

678
00:27:33,019 --> 00:27:35,889
NOT GOOD TO ALWAYS BE GOIN'
100 MILES AN HOUR.

679
00:27:37,757 --> 00:27:39,926
UM...

680
00:27:39,959 --> 00:27:43,163
OKAY, MAYBE I WILL HAVE
THAT WINE.

681
00:27:43,196 --> 00:27:44,964
OKAY.
OKAY.

682
00:27:49,369 --> 00:27:51,371
IT TOOK 'EM TWO YEARS
TO GET THEIR LIQUOR LICENSE.

683
00:27:51,404 --> 00:27:53,373
WELL, THERE'S GOTTA BE WAYS
AROUND THAT.

684
00:27:53,406 --> 00:27:55,141
I RAN SOME FIGURES.

685
00:27:55,175 --> 00:27:57,143
SHALL WE?

686
00:27:57,177 --> 00:27:58,411
SHOULD WE WAIT
FOR WENDY TO GET HERE?

687
00:27:58,445 --> 00:28:00,280
WENDY.
UH, SHE'S NOT JOINING US.

688
00:28:00,313 --> 00:28:02,115
I'M SORRY, WHY WOULD WENDY
HAVE TO BE HERE?

689
00:28:02,148 --> 00:28:03,149
OH, WELL,

690
00:28:03,183 --> 00:28:04,150
SHE DOESN'T.
WE JUST FIGURED...

691
00:28:04,184 --> 00:28:05,151
WELL, IT MAKES SENSE.

692
00:28:05,185 --> 00:28:07,153
<i>GET HER INVOLVED EARLY ON.</i>

693
00:28:07,187 --> 00:28:09,122
I MEAN,
IF SHE'S THE PRIMARY INVESTOR.

694
00:28:09,155 --> 00:28:10,990
AND LET'S FACE IT,
SHE'S GOT THE ROLODEX.

695
00:28:11,024 --> 00:28:13,026
WOULDN'T HURT TO HAVE
SOME CELEBRITIES HANGING OUT.

696
00:28:14,461 --> 00:28:16,029
THIS IS MY PROJECT, GUYS.

697
00:28:16,062 --> 00:28:17,397
MY WIFE'S NOT INVOLVED.

698
00:28:17,430 --> 00:28:20,333
SO LET'S GO SEE
THE PLACE.

699
00:28:28,174 --> 00:28:29,976
MM. THIS IS GOOD.

700
00:28:30,010 --> 00:28:31,177
YEAH, IT IS, HUH?

701
00:28:31,211 --> 00:28:33,179
YEAH.

702
00:28:33,213 --> 00:28:34,948
OH.

703
00:28:34,981 --> 00:28:36,316
OH, LOOK AT THAT.

704
00:28:36,349 --> 00:28:37,550
YOU HAVE A CD TOWER.

705
00:28:37,584 --> 00:28:39,419
I MEAN, A WHOLE TOWER

706
00:28:39,452 --> 00:28:41,121
JUST FOR CDS.

707
00:28:41,154 --> 00:28:43,089
YOU KNOW, I WAS WONDERING
WHO WOULD INVENT-- NIC.

708
00:28:43,123 --> 00:28:44,190
ARE YOU OKAY?

709
00:28:44,224 --> 00:28:46,192
YEAH.

710
00:28:46,226 --> 00:28:49,195
WE DON'T HAVE TO DO THIS,
YOU KNOW.

711
00:28:49,229 --> 00:28:51,364
NO, I AM. I WANT TO.

712
00:28:51,398 --> 00:28:54,100
IT'S JUST
I'M A LITTLE...

713
00:28:54,134 --> 00:28:56,069
YOUR FIRST TIME.

714
00:28:56,102 --> 00:28:57,170
WHAT?

715
00:28:57,203 --> 00:28:59,372
CHEATING ON YOUR HUSBAND.

716
00:29:06,112 --> 00:29:07,213
DON'T WORRY ABOUT IT.

717
00:29:07,247 --> 00:29:08,982
I'M SURE YOU'VE GOT
YOUR REASONS.

718
00:29:09,015 --> 00:29:11,251
RIGHT?

719
00:29:11,284 --> 00:29:13,453
MM.

720
00:29:13,486 --> 00:29:16,423
AND IN CASE
YOU'RE WONDERING...

721
00:29:16,456 --> 00:29:20,794
YOU HAVE AN ABSOLUTELY
AMAZING BODY.

722
00:29:23,296 --> 00:29:26,399
[breathing hard]

723
00:29:32,372 --> 00:29:34,307
OH, MY GOD!

724
00:29:37,410 --> 00:29:39,279
AH!

725
00:29:39,312 --> 00:29:40,413
I NEED A CREW THERE TONIGHT.

726
00:29:40,447 --> 00:29:42,182
I'M NOT SURE
WHEN WE'RE SHOOTING YET.

727
00:29:42,215 --> 00:29:44,217
I'M TRYING TO LOCATE
LEONARDO DICAPRIO.

728
00:29:44,250 --> 00:29:45,185
<i>PHIL, YOU'RE BEING GREEDY.</i>

729
00:29:45,218 --> 00:29:46,486
WE MADE
A VERY GENEROUS OFFER.

730
00:29:46,519 --> 00:29:47,587
NO, WE DIDN'T GIVE IT
TO JUDE LAW.

731
00:29:47,620 --> 00:29:48,588
WE'RE NOT GIVING IT
TO HIM.

732
00:29:48,621 --> 00:29:50,190
PHIL.
PHIL, YOU'RE KILLING ME.

733
00:29:50,223 --> 00:29:51,391
THIS IS A NON-STORY.
LEO'S NOT GOING ANYWHERE.

734
00:29:51,424 --> 00:29:53,493
JUST GIVE ME ONE HOUR.
BECAUSE IT'S ABOUT PRECEDENT, PHIL.

735
00:29:53,526 --> 00:29:55,228
IT'S NOT HAPPENING.
WHY WASN'T THIS DEAL DONE?

736
00:29:55,261 --> 00:29:56,629
YOUR PROBLEM IS YOU'VE
GOT TO--

737
00:29:56,663 --> 00:29:59,265
<i>(woman)</i>
<i>I'VE GOT HIM! I'VE GOT</i> <i>LEONARDO DICAPRIO ON THE LINE.</i>

738
00:30:11,511 --> 00:30:13,279
LEO, HI. IT'S WEN.

739
00:30:13,313 --> 00:30:14,414
LISTEN,

740
00:30:14,447 --> 00:30:16,383
WE'RE PULLING THE OFFER.

741
00:30:16,416 --> 00:30:18,084
<i>IF YOU REALLY THINK</i>

742
00:30:18,118 --> 00:30:19,319
THAT THE DREAMWORKS SCRIPT
IS BETTER,

743
00:30:19,352 --> 00:30:20,086
I'M NOT GONNA STAND
IN YOUR WAY.

744
00:30:20,120 --> 00:30:20,954
<i>AND RUSSELL CROWE'S</i>
<i>SCHEDULE</i>

745
00:30:20,987 --> 00:30:22,188
<i>JUST OPENED UP,</i>
<i>SO WE'LL BE FINE.</i>

746
00:30:22,222 --> 00:30:25,892
<i>LET'S WORK TOGETHER AGAIN</i>
<i>REALLY SOON, OKAY, SWEETIE?</i>

747
00:30:25,925 --> 00:30:27,494
AND BEST OF LUCK WITH IT.

748
00:30:32,232 --> 00:30:34,300
WAIT. HE'LL CALL.

749
00:30:36,469 --> 00:30:37,637
DO WE HAVE
RUSSELL CROWE?

750
00:30:37,671 --> 00:30:39,172
NO.

751
00:30:44,377 --> 00:30:46,579
[telephone rings]

752
00:30:46,613 --> 00:30:49,916
<i>(Josh)</i>
<i>UH, WENDY HEALY'S OFFICE.</i>

753
00:30:49,949 --> 00:30:52,352
LEONARDO DICAPRIO
IS ON ONE.

754
00:30:58,358 --> 00:31:00,093
LEO? HI.

755
00:31:02,562 --> 00:31:04,497
YOU'VE MADE
THE RIGHT DECISION.

756
00:31:11,638 --> 00:31:13,106
[laughter]

757
00:31:16,309 --> 00:31:18,712
[knocking at door]
YES, COME ON IN.

758
00:31:18,745 --> 00:31:20,180
<i>MISS FORD?</i>

759
00:31:20,213 --> 00:31:21,314
HI.

760
00:31:26,553 --> 00:31:29,489
[techno-pop music]

761
00:31:29,522 --> 00:31:37,597
* *

762
00:31:43,470 --> 00:31:44,637
* I AM IN LOVE WITH YOU *

763
00:31:44,671 --> 00:31:47,374
* *

764
00:31:47,407 --> 00:31:51,378
* I AM IN LOVE WITH YOU,
BABY *

765
00:31:51,411 --> 00:31:55,315
* I AM IN LOVE WITH YOU *

766
00:31:55,348 --> 00:31:57,417
[bell ringing]

767
00:31:57,450 --> 00:32:01,421
[women giggling]

768
00:32:01,454 --> 00:32:02,989
OH. HI.

769
00:32:03,023 --> 00:32:04,424
OH.

770
00:32:04,457 --> 00:32:07,260
HELLO.

771
00:32:07,293 --> 00:32:08,428
[laughs]

772
00:32:11,364 --> 00:32:12,766
MRS. HEALY,
WE HAVE TO START.

773
00:32:12,799 --> 00:32:14,267
THE HEADMASTER'S
ON A TIGHT SCHEDULE.

774
00:32:14,300 --> 00:32:15,301
I UNDERSTAND.
MY HUSBAND'S ON HIS WAY.

775
00:32:15,335 --> 00:32:16,503
HE'LL HAVE TO JOIN YOU
IN PROGRESS.

776
00:32:16,536 --> 00:32:18,304
DO YOU HAVE
ALL YOUR PAPERWORK?

777
00:32:18,338 --> 00:32:19,739
I DO, YES.
[cell phone rings]

778
00:32:19,773 --> 00:32:21,708
OH, WAIT, WAIT, WAIT.
THIS MIGHT BE HIM.

779
00:32:32,218 --> 00:32:34,220
THANK YOU.
RIGHT THIS WAY.

780
00:32:40,093 --> 00:32:43,063
[acoustic guitar music]

781
00:32:43,096 --> 00:32:51,104
* *

782
00:32:55,141 --> 00:32:56,109
SORRY.

783
00:32:56,142 --> 00:32:58,745
HEY, IS IT OVER ALREADY?

784
00:32:58,778 --> 00:33:00,480
IS IT OVER?
OH. THAT WAS FAST.

785
00:33:00,513 --> 00:33:02,115
I THOUGHT--
YEAH, IT TOOK HALF THE TIME

786
00:33:02,148 --> 00:33:04,184
'CAUSE ONLY HALF OF TAYLOR'S
PARENTS SHOWED.

787
00:33:04,217 --> 00:33:07,220
WHAT HAPPENED? SHANE?

788
00:33:07,253 --> 00:33:08,521
UM...

789
00:33:08,555 --> 00:33:10,824
THERE WAS A LITTLE DETAILS
TO IRON OUT.

790
00:33:10,857 --> 00:33:12,092
THE, UH, LIQUOR LICENSE--

791
00:33:12,125 --> 00:33:13,326
YEAH, WELL, WE HAVE HAD
THIS DATE

792
00:33:13,360 --> 00:33:14,427
ON OUR CALENDAR FOR MONTHS.

793
00:33:14,461 --> 00:33:17,497
THERE ARE HUNDREDS OF KIDS
COMPETING FOR A DOZEN SLOTS.

794
00:33:17,530 --> 00:33:20,300
UH, YEAH, BUT I DON'T THINK
MY NOT BEING THERE

795
00:33:20,333 --> 00:33:21,668
WILL RUIN HIS CHANCES.

796
00:33:21,701 --> 00:33:23,269
WHAT DOES THAT MEAN?
WHAT DOES THAT MEAN?

797
00:33:23,303 --> 00:33:24,337
WELL, LET'S FACE IT, WENDY,

798
00:33:24,371 --> 00:33:26,506
I'M NOT REALLY THE PARENT
THEY NEED TO MEET, AM I?

799
00:33:26,539 --> 00:33:28,641
YOU'RE HIS FATHER.
YEAH.

800
00:33:28,675 --> 00:33:29,876
BUT I'M NOT THE ONE
WHO'LL BE DONATING

801
00:33:29,909 --> 00:33:33,313
THE SPIELBERG BASEBALL CAP
TO THE HALLOWEEN FUNDRAISER. OH.

802
00:33:33,346 --> 00:33:34,748
SO THAT'S WHAT'S HAPPENING.

803
00:33:34,781 --> 00:33:35,849
YOU'RE PUNISHING OUR SON

804
00:33:35,882 --> 00:33:38,218
BECAUSE YOU'RE NOT THE ONE
WRITING THE TUITION CHECKS.

805
00:33:38,251 --> 00:33:39,686
NO, I'M NOT
PUNISHING ANYBODY.

806
00:33:39,719 --> 00:33:41,187
I'LL BE THE ONE
PICKING HIM UP

807
00:33:41,221 --> 00:33:42,322
AND DROPPING HIM OFF
FROM SCHOOL EVERY DAY.

808
00:33:42,355 --> 00:33:43,656
I'LL BE THE ONE
TAKING REQUESTS

809
00:33:43,690 --> 00:33:45,091
FOR ADVANCE COPIES
OF <i>HAPPY FEET 2.</i>

810
00:33:45,125 --> 00:33:46,326
WE'RE NOT HAVING
THIS CONVERSATION HERE.

811
00:33:46,359 --> 00:33:49,095
WHY? IT IS NO LESS TRUTHFUL
IF IT HAPPENS IN OUR KITCHEN.

812
00:33:49,129 --> 00:33:50,697
WHAT DO YOU WANT, SHANE?

813
00:33:50,730 --> 00:33:53,867
YOU WANT ME TO APOLOGIZE
FOR WHO I AM?

814
00:33:53,900 --> 00:33:56,202
FOR BEING ABLE TO GIVE MY FAMILY
SOME OF THE PERKS

815
00:33:56,236 --> 00:33:58,304
THAT COME
FROM WORKIN' MY ASS OFF

816
00:33:58,338 --> 00:33:59,239
TO GET TO THIS PLACE?

817
00:33:59,272 --> 00:34:00,840
IT'S NOT LIKE YOU HAVEN'T
HAD OPPORTUNITIES.

818
00:34:00,874 --> 00:34:01,775
WHAT OPPORTUNITIES?

819
00:34:01,808 --> 00:34:03,777
EVERY DREAM I'VE HAD
HAS BEEN PUT ON HOLD.

820
00:34:03,810 --> 00:34:05,245
MY AMBITIONS, THEY HAVE
TO BE SQUEEZED

821
00:34:05,278 --> 00:34:06,179
INTO AN HOUR
OF YOUR SCHEDULE.

822
00:34:06,212 --> 00:34:08,548
ALL RIGHT,
THAT'S CRAP. THAT IS NOT CRAP!

823
00:34:08,581 --> 00:34:09,683
YOUR OPPORTUNITIES DISAPPEAR

824
00:34:09,716 --> 00:34:12,585
BECAUSE THE MINUTE SOMETHING
BECOMES REAL, YOU BACK OFF.

825
00:34:12,619 --> 00:34:14,688
YOU DON'T WANT
TO TAKE A CHANCE AT FAILING.

826
00:34:14,721 --> 00:34:16,289
IT HAS NOTHING TO DO
WITH MY SCHEDULE.

827
00:34:16,322 --> 00:34:18,558
OH, IS THAT MY PROBLEM?
IS THAT MY PROBLEM?

828
00:34:18,591 --> 00:34:19,759
THANK YOU.
THANK YOU VERY MUCH.

829
00:34:19,793 --> 00:34:21,828
PLEASE, DON'T TREAT ME LIKE ONE
OF THE KIDS, ALL RIGHT?

830
00:34:21,861 --> 00:34:23,329
ALL RIGHT, WELL, THEN STOP
ACTING LIKE ONE OF THEM.

831
00:34:23,363 --> 00:34:24,864
OKAY.

832
00:34:24,898 --> 00:34:27,233
WORKS BETTER FOR YOU WHEN I ACT
LIKE ONE OF YOUR ASSISTANTS,

833
00:34:27,267 --> 00:34:28,635
DOESN'T IT?

834
00:34:40,447 --> 00:34:43,416
<i>(Victory)</i>
<i>MRS. IKITO, I WAS TRYING</i> <i>SOMETHING NEW.</i>

835
00:34:43,450 --> 00:34:46,286
SEE, EVENTUALLY, I WANT
TO MOVE INTO COUTURE--

836
00:34:46,319 --> 00:34:48,288
WHY? THERE'S NO MONEY
IN COUTURE.

837
00:34:48,321 --> 00:34:50,290
EVERYBODY KNOWS THAT.

838
00:34:50,323 --> 00:34:51,291
THERE IS MONEY

839
00:34:51,324 --> 00:34:53,593
<i>IN THE OLD VICTORY FORD.</i>

840
00:34:56,463 --> 00:34:57,364
THIS IS MR. MORIMOTO.

841
00:34:57,397 --> 00:35:00,600
<i>HE'S AN EXTREMELY TALENTED</i>
<i>DESIGNER.</i>

842
00:35:00,633 --> 00:35:02,202
I LOVE YOUR CLOTHES.

843
00:35:02,235 --> 00:35:05,638
IT WOULD BE A GREAT HONOR
TO WORK WITH YOU.

844
00:35:05,672 --> 00:35:07,340
WORK WITH ME?

845
00:35:07,374 --> 00:35:08,708
HIS SPECIALTY
IS MAKING COPIES.

846
00:35:08,742 --> 00:35:11,311
<i>HE WILL DRAW</i>
<i>NEW DESIGNS</i>

847
00:35:11,344 --> 00:35:13,446
<i>TO LOOK LIKE THE OLD</i>
<i>VICTORY FORD.</i>

848
00:35:13,480 --> 00:35:15,415
NO.

849
00:35:15,448 --> 00:35:17,183
<i>MY FALL LINE</i>

850
00:35:17,217 --> 00:35:18,952
WAS THE BEST
THAT I'VE EVER DESIGNED.

851
00:35:18,985 --> 00:35:20,754
<i>MAYBE PEOPLE DIDN'T LIKE IT</i>
<i>AS MUCH,</i>

852
00:35:20,787 --> 00:35:22,389
BUT THEY WILL LIKE
THE NEXT ONE

853
00:35:22,422 --> 00:35:26,626
THAT I, VICTORY FORD,
DESIGN.

854
00:35:26,659 --> 00:35:28,428
I BELIEVE THESE ARE YOURS.

855
00:35:39,406 --> 00:35:42,409
[crying]

856
00:36:10,537 --> 00:36:11,738
HEY.

857
00:36:14,274 --> 00:36:15,675
THERE'S DINNER IN THE FRIDGE.
HAVE YOU EATEN?

858
00:36:19,813 --> 00:36:22,916
I, UH, HATE

859
00:36:22,949 --> 00:36:24,784
THAT I SAID
THOSE THINGS TO YOU.

860
00:36:24,818 --> 00:36:26,386
ME TOO.

861
00:36:26,419 --> 00:36:27,721
I WAS JUST
SO FRUSTRATED.

862
00:36:27,754 --> 00:36:30,256
NO, PLEASE.
LET ME--LET ME--LET ME FINISH.

863
00:36:30,290 --> 00:36:31,858
PLEASE.

864
00:36:31,891 --> 00:36:33,426
I'VE BEEN WALKING AROUND
FOR HOURS

865
00:36:33,460 --> 00:36:34,394
TRYIN' TO FIGURE
THIS THING OUT.

866
00:36:34,427 --> 00:36:36,496
SO JUST GIVE ME--
JUST...

867
00:36:42,469 --> 00:36:45,438
OKAY, HERE'S THE THING.

868
00:36:45,472 --> 00:36:46,506
WHEN I'M HERE WITH YOU,

869
00:36:46,539 --> 00:36:50,477
IT'S JUST US
AND THE KIDS.

870
00:36:50,510 --> 00:36:52,412
I NEVER FEEL
LIKE I'M NOTHING.

871
00:36:52,445 --> 00:36:55,715
NEVER.

872
00:36:55,749 --> 00:36:59,419
IT'S JUST EVERYTHING CHANGES
WHEN I WALK OUT THE DOOR.

873
00:36:59,452 --> 00:37:00,720
IT DOESN'T HAVE
TO BE THAT WAY.

874
00:37:00,754 --> 00:37:02,822
BUT, BABY--
WENDY, YOU CAN'T FACE THIS.

875
00:37:02,856 --> 00:37:04,824
AND YOU DON'T HAVE
TO GIVE ANYTHING UP.

876
00:37:04,858 --> 00:37:06,059
AND BELIEVE ME,
YOU HAVE NO IDEA

877
00:37:06,092 --> 00:37:07,427
HOW PROUD OF YOU I AM.

878
00:37:07,460 --> 00:37:09,329
<i>THIS IS MY PROBLEM,</i>

879
00:37:09,362 --> 00:37:11,765
<i>AND THAT'S JUST THE WAY</i>
<i>IT IS.</i>

880
00:37:13,466 --> 00:37:14,868
YOU'RE GONNA KEEP RISING
AND RISING,

881
00:37:14,901 --> 00:37:15,802
AND I'M GONNA BE HERE--

882
00:37:15,835 --> 00:37:19,506
I'M GONNA BE LOOKING
FOR SPIDER-MAN BAND-AIDS

883
00:37:19,539 --> 00:37:20,807
AND CLEANING UP CAT PUKE.

884
00:37:20,840 --> 00:37:23,910
AND I'VE JUST GOT
TO MAKE PEACE WITH THAT.

885
00:37:23,943 --> 00:37:28,515
IT JUST SEEMS TO GET
A BIT HARDER EVERY DAY.

886
00:37:28,548 --> 00:37:30,850
WE'LL FIGURE IT OUT.

887
00:37:30,884 --> 00:37:32,519
COME ON. WE WILL.

888
00:37:39,092 --> 00:37:41,294
YEAH, I GUESS.

889
00:37:54,808 --> 00:37:58,011
[cell phone rings]

890
00:37:58,044 --> 00:37:59,813
WHAT?

891
00:37:59,846 --> 00:38:02,015
I WANT YOU TO KNOW
I'M POTENTIALLY LOSING $20,000

892
00:38:02,048 --> 00:38:03,583
BY CALLING YOU MYSELF.

893
00:38:03,616 --> 00:38:06,486
[laughs through tears,
sniffs]

894
00:38:06,519 --> 00:38:07,654
ARE YOU CRYING?

895
00:38:07,687 --> 00:38:09,923
<i>YES. YES, I AM CRYING.</i>

896
00:38:09,956 --> 00:38:11,524
THIS IS HOW IT'S BEEN

897
00:38:11,558 --> 00:38:12,692
SINCE THE BEGINNING
OF MY CAREER.

898
00:38:12,726 --> 00:38:15,895
I-I CRY AND THEN I GO
BACK TO WORK.

899
00:38:15,929 --> 00:38:18,865
YOU'D BE SURPRISED
HOW MUCH I-I CRY.

900
00:38:18,898 --> 00:38:21,601
YOU KNOW, MOST PEOPLE THINK
THAT I'M FUN AND I'M COOL

901
00:38:21,634 --> 00:38:22,769
AND I'M OPTIMISTIC,

902
00:38:22,802 --> 00:38:25,805
<i>BUT YOU KNOW WHAT,</i>
<i>I'M A CRIER.</i>

903
00:38:25,839 --> 00:38:26,906
WENT WELL, HUH?

904
00:38:26,940 --> 00:38:30,010
I'M WAY TOO--TOO CLOSE
TO MY PRODUCT.

905
00:38:30,043 --> 00:38:31,811
BUT I JUST--

906
00:38:31,845 --> 00:38:34,814
[crying]
I DON'T KNOW HOW TO BE ANY OTHER WAY.

907
00:38:34,848 --> 00:38:35,815
<i>AND NOW I DON'T KNOW</i>
<i>HOW I'M GONNA KEEP</i>

908
00:38:35,849 --> 00:38:36,850
<i>MY COMPANY GOING.</i>

909
00:38:36,883 --> 00:38:37,951
OH, GOD,

910
00:38:37,984 --> 00:38:41,087
I JUST WANT
TO BE HOME ALREADY.

911
00:38:41,121 --> 00:38:44,758
A MAN NAMED HICHIRO,
WILL BE THERE IN TEN MINUTES.

912
00:38:44,791 --> 00:38:46,626
BE READY.

913
00:38:46,659 --> 00:38:49,629
[soft piano music]

914
00:38:49,662 --> 00:38:53,767
* *

915
00:38:53,800 --> 00:38:55,001
[knock at door]

916
00:38:55,035 --> 00:38:57,837
COME IN.

917
00:39:00,173 --> 00:39:02,776
MR. BENNETT'S JET
IS WAITING.

918
00:39:02,809 --> 00:39:06,913
* EVERY NOW AND THEN
YOU COME TO MIND *

919
00:39:08,882 --> 00:39:11,618
* 'CAUSE YOU WERE ALWAYS
WAITING *

920
00:39:11,651 --> 00:39:14,888
* TO BE PICKED
TO PLAY THE GAME *

921
00:39:14,921 --> 00:39:16,923
* BUT WHEN YOUR NAME
WAS CALLED *

922
00:39:16,956 --> 00:39:20,093
* YOU FOUND A PLACE
TO HIDE *

923
00:39:21,828 --> 00:39:26,800
* WHEN YOU KNEW THAT I WAS
ALWAYS ON YOUR SIDE *

924
00:39:28,835 --> 00:39:31,204
I HATE THIS, YOU KNOW.

925
00:39:31,237 --> 00:39:34,074
I HATE YOU SENDING A JET
FOR ME.

926
00:39:34,107 --> 00:39:37,177
I HATE THAT I LIKED RIDING
IN IT SO MUCH.

927
00:39:37,210 --> 00:39:39,779
I HATE YOUR SMUG ATTITUDE

928
00:39:39,813 --> 00:39:42,849
LIKE YOU'RE SOME BIG HERO,
BECAUSE YOU'RE <i>NOT.</i>

929
00:39:42,882 --> 00:39:46,653
YOU JUST CALLED YOUR ASSISTANT
AND HAD HER SEND IT FOR ME.

930
00:39:46,686 --> 00:39:48,988
ACTUALLY, I CALLED MYSELF.

931
00:39:49,022 --> 00:39:50,123
AND, HEY,

932
00:39:50,156 --> 00:39:51,758
I COULD'VE WAITED
FOR YOU IN THE CAR,

933
00:39:51,791 --> 00:39:52,859
BUT HERE I AM
STANDING OUT ON THE TARMAC

934
00:39:52,892 --> 00:39:54,027
FREEZING MY ASS OFF.

935
00:39:54,060 --> 00:39:57,797
I DON'T DO THAT
FOR ANYBODY.

936
00:40:03,236 --> 00:40:05,705
I DON'T LIKE TO BE RESCUED.
I RESCUE MYSELF.

937
00:40:05,739 --> 00:40:08,141
WILL YOU RELAX?

938
00:40:10,877 --> 00:40:13,179
BRING THE CAR AROUND,
BUMP.

939
00:40:13,213 --> 00:40:17,717
* SOME PLACE
WHERE ALL IS CLEAR *

940
00:40:17,751 --> 00:40:19,986
* EASY TO START OVER *

941
00:40:20,020 --> 00:40:23,923
* WITH THE ONES
YOU HOLD SO DEAR *

942
00:40:23,957 --> 00:40:26,659
* OR ARE YOU LEFT
TO WANDER *

943
00:40:26,693 --> 00:40:30,663
* ALL ALONE ETERNALLY *

944
00:40:30,697 --> 00:40:32,832
* NO, IT ISN'T HOW
IT'S REALLY MEANT TO BE *

945
00:40:32,866 --> 00:40:35,101
WHAT DID HE SAY AFTER THAT?
NOTHING.

946
00:40:35,135 --> 00:40:37,003
OKAY,
WHAT DID I JUST MISS?

947
00:40:37,037 --> 00:40:38,004
IF YOU TWO ARE GONNA
GANG UP ON ME

948
00:40:38,038 --> 00:40:39,072
FOR GETTING
ON THE STUPID PLANE,

949
00:40:39,105 --> 00:40:40,240
I ALREADY TOLD YOU,

950
00:40:40,273 --> 00:40:41,941
IT WASN'T ONE
OF MY PROUDEST MOMENTS.

951
00:40:41,975 --> 00:40:44,010
HEY, UM, WE WERE TALKING
ABOUT SHANE.

952
00:40:44,044 --> 00:40:46,179
OH. WHAT ABOUT HIM?

953
00:40:46,212 --> 00:40:48,214
WE HAD A WEIRD NIGHT.

954
00:40:48,248 --> 00:40:50,850
THEY'RE JUST--THEY'RE
GOING THROUGH A ROUGH PATCH.

955
00:40:50,884 --> 00:40:52,952
BUT IT'S GONNA BE FINE,
WENDY.

956
00:40:52,986 --> 00:40:54,988
IT WILL ALL BLOW OVER.

957
00:40:55,021 --> 00:40:56,990
OKAY.

958
00:40:57,023 --> 00:40:58,858
THAT'S WHAT I KEEP
TELLING MYSELF.

959
00:41:00,760 --> 00:41:03,897
OH, GOD.

960
00:41:03,930 --> 00:41:06,132
I KNOW NOTHING'S
EVER PERFECT.

961
00:41:06,166 --> 00:41:07,701
BUT I JUST THOUGHT
THAT MY MARRIAGE

962
00:41:07,734 --> 00:41:12,105
WAS THE ONE THING
THAT I DIDN'T HAVE TO MANAGE.

963
00:41:12,138 --> 00:41:15,975
I THOUGHT IT WAS SOLID.

964
00:41:16,009 --> 00:41:18,178
I FEEL LIKE A LOSER.
HEY, STOP IT.

965
00:41:18,211 --> 00:41:21,114
LISTEN TO ME.
YOU ARE NOT A LOSER.

966
00:41:21,147 --> 00:41:23,917
YOU'RE
AN EXTRAORDINARY PERSON.

967
00:41:23,950 --> 00:41:27,921
YOU ARE FUNNY,
YOU ARE SCARY SMART,

968
00:41:27,954 --> 00:41:30,223
AND INTENSE, AND GORGEOUS,

969
00:41:30,256 --> 00:41:31,858
AND LARGER THAN LIFE.

970
00:41:31,891 --> 00:41:33,927
AND YOU DESERVE TO BE LOVED
BECAUSE OF THOSE THINGS,

971
00:41:33,960 --> 00:41:36,062
NOT IN SPITE OF THEM.

972
00:41:36,096 --> 00:41:38,965
OKAY?

973
00:41:38,998 --> 00:41:41,801
DON'T YOU MAKE ME CRY.

974
00:41:41,835 --> 00:41:43,903
IF I START,
I'LL BE OUT HERE TILL JUNE.

975
00:41:43,937 --> 00:41:46,773
GOD, I HOPE NOT.
I HAVE NO PRIVACY AS IT IS.

976
00:41:50,844 --> 00:41:52,078
WEN.

977
00:41:52,112 --> 00:41:56,049
THINGS WILL GET BETTER.

978
00:41:56,082 --> 00:42:00,053
AND IF THEY DON'T...

979
00:42:00,086 --> 00:42:02,756
WE'LL MOVE TO THE WOODS
AND WE'LL MAKE MOCCASINS.

980
00:42:02,789 --> 00:42:04,024
HUH?

981
00:42:04,057 --> 00:42:09,095
I DON'T KNOW.
I JUST...

982
00:42:09,129 --> 00:42:11,131
THANK YOU.
DRINK UP.

983
00:42:11,164 --> 00:42:12,932
I HAD A CRAP WEEK
AND YOU TWO ARE THE ONLY ONES

984
00:42:12,966 --> 00:42:14,067
I WANT TO GET SLOBBERED WITH.

985
00:42:14,100 --> 00:42:15,235
START CHUGGIN'.

986
00:42:15,268 --> 00:42:17,237
I LOST MY VIRGINITY
IN MOCCASINS.

987
00:42:17,270 --> 00:42:21,007
[chokes]

988
00:42:21,041 --> 00:42:22,876
YOU REMEMBER WHAT SHOES
YOU WORE?

989
00:42:22,909 --> 00:42:24,844
IT WAS THE MOST
MEMORABLE PART.

990
00:42:24,878 --> 00:42:27,013
OH, HONEY.

991
00:42:27,047 --> 00:42:30,116
[laughter]